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What Makes Blood Move?
  • Language: en

What Makes Blood Move?

To recast modern science as a science of the human being, to change the paradigm with which we perceive and understand life in all its attributes, including the physical human body, is and will be a mighty task for some time to come. Perhaps the most obvious, and also weakest pillar of the view of the human being as a kind of machine, is the metaphoric assumption, seemingly beyond questioning, that the human heart functions as a pump. In this book, Dr. Armin Husemann approaches the activity of the human heart and the blood that moves from a perspective grounded in the spirit and practice of natural science but unbiased by either received truths or conventional dogma. What does it look like t...

Human Hearing and the Reality of Music
  • Language: en

Human Hearing and the Reality of Music

Music is not simply something we hear. We experience it and love it; it is a primal human need. If, as the pianist Alfred Brendel put it, we are able to "take music at its word," we confront questions that also moved the author since his adolescent years: What takes hold of me when I experience music? What reality touches me when music is playing? What happens physiologically in the human body when we experience and make music? The author approaches these questions from three perspectives: first, from his personal experience and active love of music; second, from the physiological perspective; and third, from Rudolf Steiner's spiritual science. Dr. Husemann (author of Form, Life, and Conscio...

Form, Life, and Consciousness
  • Language: en
  • Pages: 360

Form, Life, and Consciousness

"You take all of Nature together to shed light on individual details; in the totality of her phenomena, you seek to explain the individual. From simple levels of organization, you ascend to the more complex, ultimately assembling the most complex of all--the human being." --Friedrich Schiller (in a letter to Goethe) Dr. Armin Husemann outlines--for doctors, therapists, students, and other interested readers--the basics and essential aspects of anthroposophic medicine. He takes the reader on an exciting journey of discovery through the realms of minerals, plants, animals, and humankind. In doing so, diverse, unfamiliar perspectives open up for the practice of medicine and other forms of healt...

The Roots of Education
  • Language: en
  • Pages: 116

The Roots of Education

"In an age focused increasingly upon a cultural, political, and social understanding of otherness as diversity, preferring to ponder God, if at all, mostly in terms of immanence, depth psychology is in danger of becoming breadth psychology. The search for transcendence has become more and more the province of New Age weekend workshops. On the other hand, depth psychology that seeks only the transpersonal without the incarnate spirit in the flesh of everyday relationships in history may likewise prove to be a failed enterprise.... In this work, I compare and contrast Boehme's and Jung's experiences with a special focus on the religious or psychological experience of what Erich Neumann calls u...

Art as Spiritual Activity
  • Language: en
  • Pages: 340

Art as Spiritual Activity

  • Categories: Art

14 lectures, Stuttgart, August 21-September 5, 1919 (CW 294) How do Waldorf teachers put their educational ideals into practice in the classroom? How does a teacher connect geography and art and language in a way that enlivens the souls of children? What does a child's respect for the teacher mean for later life? These are only a few practical aspects of this initial course for Waldorf teachers. During an intensive two weeks, Rudolf Steiner gave three simultaneous educational courses to those who would be the first teachers of the original Waldorf school. One course provided the foundational ideas behind Waldorf education (The Foundations of Human Experience); another provided a forum for qu...

After Auschwitz
  • Language: en
  • Pages: 333

After Auschwitz

  • Type: Book
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  • Published: 2022-01-04
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  • Publisher: SteinerBooks

"History does not repeat, but it does instruct."--Timothy Snyder (On Tyranny) Since 2009, Peter Selg, along with Polish historians, has led seminars on medical ethics at the Auschwitz-Birkenau memorial for students at Witten / Herdecke University, Germany. This book was created following a public event in 2019 that investigated the "lessons of Auschwitz" for the practice of medicine in society today and in the future. As well as commemorating the individual victims, the Auschwitz event focused on the role of German physicians in the Nazi regime. In this book, Dr. Selg's discussions go far beyond the historical events of the 1930s and '40s. Countering the legacy of Auschwitz-Birkenau and the ...

THE ELECTRONIC DOPPELGÄNGER
  • Language: en
  • Pages: 165

THE ELECTRONIC DOPPELGÄNGER

‘Large temptations will emanate from these machine-animals, produced by people themselves, and it will be the task of a spiritual science that explores the cosmos to ensure all these temptations do not exert any damaging influence on human beings.’ In an increasingly digitised world, where both work and play are more and more taking place online and via screens, Rudolf Steiner’s dramatic statements from 1917 appear prophetic. Speaking of ‘intelligent machines’ that would appear in the future, Steiner presents a broad context that illustrates the multitude of challenges human beings will face. If humanity and the Earth are to continue to evolve together with the cosmos, and not be c...

Eurythmy as Visible Singing
  • Language: en
  • Pages: 534

Eurythmy as Visible Singing

‘The study of music is the study of the human being. The two are inseparable, and eurythmy is the art which brings this most clearly to expression. In these lectures, Rudolf Steiner guides us along a path toward an understanding of the human form as music comes to rest – the movements of eurythmy bringing this music back to life.’ – Dorothea Mier ‘Fundamentally speaking, music is the human being, and indeed it is from music that we rightly learn how to free ourselves from matter.’ – Rudolf Steiner The focus of these eight lectures is the source of movement and gesture in the human being. The movement in musical experience is thus traced back to its origin in the human instrumen...

The Creative Choir
  • Language: en
  • Pages: 185

The Creative Choir

Choral singing is enjoying a renaissance, and this timely book contributes to our understanding of what choir work can and should be about. Starting from the idea that education underpins the rehearsal process, James Neilson Graham delves into the theory and practice of working with singers, drawing on the insights of Emile Jaques-Dalcroze in relation to movement and Valborg Werbeck-Svärdström in relation to the voice. Singing is an aspect of our common humanity and the health of the socio-musical organism finds its reflection in the choral sound. How can the individual flourish in the midst of so many? How can the conductor facilitate the process? In lively fashion (with more than seventy music examples, diagrams and illustrations), James Neilson Graham challenges orthodoxies and opens up new developmental pathways for the choir leader and the choral singer.

The Therapeutic Eye
  • Language: en
  • Pages: 101

The Therapeutic Eye

19 lectures, Dornach, April 10, 1921 and September 5-23, 1924 (CW 282) In this course, designed for students and professionals in the stage arts, Rudolf Steiner begins with a fundamental and spiritually-rooted appreciation of human speech and what actually takes place during human communication. Speech is a spiritual activity as well as an art form, lending itself to real interaction with both higher spiritual worlds and the human world of social conversation. Steiner shows that speech is a powerful tool for any serious dramatist in conveying the reality of worlds, whether visible or invisible, to the individual souls in the audience. This is an essential book for anyone involved in speech work, communication arts, and many kinds of therapies. This volume is a translation from German of Sprachgestaltung und Dramatische Kunst (GA 282).