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Arnoud Holleman
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Being There
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Arnoud Holleman
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The Everyday Practice of Public Art
The Everyday Practice of Public Art: Art, Space, and Social Inclusion is a multidisciplinary anthology of analyses exploring the expansion of contemporary public art issues beyond the built environment. It follows the highly successful publication The Practice of Public Art (eds. Cartiere and Willis), and expands the analysis of the field with a broad perspective which includes practicing artists, curators, activists, writers and educators from North America, Europe and Australia, who offer divergent perspectives on the many facets of the public art process. The collection examines the continual evolution of public art, moving beyond monuments and memorials to examine more fully the developm...
From the Corner of the Eye
Exhibition theme: homosexuality in today's art.
Ed Annink, Designer
Aan de hand van interviews en foto's wordt een beeld gegeven van het werk van de Nederlandse industrieel ontwerper (1956).
Citizens and Subjects
The state of the Netherlands as an example of the contemporary western condition. The ideological vacuum created by the collapse of the bipolar world in 1989 was not filled by any new emancipatory political imaginary. Instead, the demands of 'national security', the normalization of violence and the maintenance of high levels of fear and anxiety have become part of daily life in nations of the West. How can art and artists react to these changes and what possibilities can they create to see sings differently? Contributions by artists, philosophers and social scientists in the Netherlands.
The Return of Religion and Other Myths
Series and the final part of a three-fold project organized by BAK under same title, in which the popular assumption of the return of religion to the field of artistic practice and its discourses, the public sphere, contemporary politics, and media in the West is interrogated as a constitutive "myth" of our current condition. Through a wide-ranging selection of texts, a group of artists, art historians and theorists, scholars of religion, and sociologists unpack the historical underpinnings of religion's so-called "return", art's long-standing relationship with iconoclasm and connection to religious representation, the manipulation of certain religious imagery in the mass media, and contemporary art's potential to complicate and problematize commonly-held beliefs about the role and potential of the image in today's world.
Art on Paper
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