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Creating the Empress
In Creating the Empress, Vera Proskurina examines the interaction between power and poetry in creating the imperial image of Catherine the Great, providing a detailed analysis of a wide range of Russian literary works from this period, particularly the main Classical myths associated with Catherine (Amazon, Astraea, Pallas Athena, Felicitas, Fortune, etc.), as well as how these Classical subjects affirmed imperial ideology and the monarch's power. Each chapter of the book revolves around the major events of Catherine's reign (and some major literary works) that give a broad framework to discuss the evolution of important recurring motifs and images.
"Tsar and God" and Other Essays in Russian Cultural Semiotics
Featuring a number of pioneering essays by the internationally known Russian cultural historians Boris Uspenskij and Victor Zhivov, this collection includes a number of essays appearing in English for the fi rst time. Focusing on several of the most interesting and problematic aspects of Russia's cultural development, these essaysexamine the survival and the reconceptualization of the past in later cultural systems and some of the key transformations of Russian cultural consciousness. The essays in this collection contain some important examples of Russian cultural semiotics and remain indispensable contributions to the history of Russian civilization.
Dostoevsky Beyond Dostoevsky
This volume deals with Dostoevsky's wide-ranging interests and engagement with philosophical, religious, political, economic, and scientific discourses of his time. It includes contributions by prominent Dostoevsky scholars, social scientists, scholars of religion and philosophy.
Prosaics and Other Provocations
Gary Saul Morson's ideas about life and literature have long inspired, annoyed, and provoked specialists and general readers. His work on "prosaics" (his coinage) argues that life's defining events are not grand but ordinary, and that the world's fundamental state is mess. Viewing time as a "field of possibilities," he maintains that contingency and freedom are real. To represent open time, some masterpieces have developed an alternative to structure and require a "prosaics of process." Morson's curmudgeonly alter ego, Alicia Chudo, invents the discipline of misanthropology," which explores human voices from voyeurism to violence. Reflecting on his legendarily popular courses, Morson argues that what literature teaches better than anything else is empathy. Himself an aphorist, Morson offers a witty approach to literature's shortest genres and to quotation in general.
Before They Were Titans
Dostoevsky and Tolstoy are the titans of Russian literature. As mature artists, they led very different lives and wrote vastly different works, but their early lives and writings display provocative kinships, while also indicating the divergent paths the two authors would take en route to literary greatness. The ten new critical essays here, written by leading specialists in nineteenth-century, Russian literature, give fresh, sophisticated readings to works from the first decade of the literary life of each Russian author—for Dostoevsky, the 1840s; for Tolstoy, the 1850s. Collectively, these essays yield composite portraits of these two artists as young men finding their literary way. At the same time, they show how the early works merit appreciation for themselves, before their authors were Titans.
Rank and Style
A leading scholar of Russian literature and culture offers a collection of essays that focus on the interaction of life and literature, ranging from the 18th to the 20th century. In the first part, Reyfman examines how obligatory state service and the Table of Ranks shaped Russian writers' views, and the second part brings together articles on Pushkin, Leo Tolstoy, and other aspects of Russian literary and cultural history.
Postmodern Crises
Postmodern Crises collects previously published and yet unpublished Mark Lipovetsky's articles on Russian literature and film. Written in different years, they focus on cultural and aesthetic crises that, taken together, constitute the postmodern condition of Russian culture. The reader will find here articles about classic subversive texts (such as Nabokov's Lolita), performances (Pussy Riot), and recent, but also subversive, films. Other articles discuss such authors as Vladimir Sorokin, such sociocultural discourses as the discourse of scientific intelligentsia; post-Soviet adaptations of Socialist Realism, and contemporary trends of "complex" literature, as well as literary characters turned into cultural tropes (the Strugatsky's progressors). The book will be interesting for teachers and scholars of contemporary Russian literature and culture; it can be used both in undergraduate and graduate courses.
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From Pushkin to Popular Culture
This volume includes many of the best essays by Catharine Theimer Nepomnyashchy (1951-2015), one of the most original scholars of Russian culture of her generation. Nepomnyashchy’s broad interests ranged from Pushkin to contemporary Russian popular culture. Her work speaks to issues that remain central to Slavic studies today, including imperialist impulses and rhetoric in Russian culture; the resiliency and post-Soviet afterlife of Stalinist mythic and cultic formulas; and problems connected with dissent, censorship, and displacement. In addition to some of Nepomnyashchy’s best previously published scholarly work, this volume includes excerpts from The Politics of Tradition: Rerooting Russian Literature After Stalin, the book manuscript that Nepomnyashchy was working on in the last years of her life.
The Englishman from Lebedian
After Evgeny Zamiatin emigrated from the USSR in 1931, he was systematically airbrushed out of Soviet literary history, despite the central role he had played in the cultural life of Russia’s northern capital for nearly twenty years. Since the collapse of the Soviet Union, his writings have gradually been rediscovered in Russia, but with his archives scattered between Russia, France, and the USA, the project of reconstructing the story of his life has been a complex task. This book, the first full biography of Zamiatin in any language, draws upon his extensive correspondence and other documents in order to provide an account of his life which explores his intimate preoccupations, as well as uncovering the political and cultural background to many of his works. It reveals a man of strong will and high principles, who negotiated the political dilemmas of his day—including his relationship with Stalin—with great shrewdness.
