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How Russia Learned to Write
How the status of Russian writers as members of the nobility, and their careers in service to the imperial state, shaped the course of Russian literature from Sumarokov and Derzhavin through Pushkin, Gogol, and Dostoevsky.
Rank and Style
A leading scholar of Russian literature and culture offers a collection of essays that focus on the interaction of life and literature, ranging from the 18th to the 20th century. In the first part, Reyfman examines how obligatory state service and the Table of Ranks shaped Russian writers' views, and the second part brings together articles on Pushkin, Leo Tolstoy, and other aspects of Russian literary and cultural history.
A History of Russian Literature
Russia possesses one of the richest and most admired literatures of Europe, reaching back to the eleventh century. A History of Russian Literature provides a comprehensive account of Russian writing from its earliest origins in the monastic works of Kiev up to the present day, still rife with the creative experiments of post-Soviet literary life. The volume proceeds chronologically in five parts, extending from Kievan Rus' in the 11th century to the present day.The coverage strikes a balance between extensive overview and in-depth thematic focus. Parts are organized thematically in chapters, which a number of keywords that are important literary concepts that can serve as connecting motifs a...
Vasilii Trediakovsky
Vasilii Trediakovsky (1703-69) was one of the eighteenth century poets instrumental in creating a Russian literature based on West European models, yet a striking discrepancy exists between his obvious importance and his notoriously bad reputation among his contemporaries and later generations of Russian writers and critics. In exploring the mechanisms of the creation and transmission of literary reputation, the author uses material that is frequently dismissed as irrelevant and unreliable: rumors, anecdotes, and opinions. This material is used to detect mythological patterns in accounts of the historical past - in this case eighteenth-century Russian literature - and to investigate the role of mythmaking in modern cultural consciousness. This book argues that the Russian literary figures of the eighteenth century regarded their age as making a complete break with the past and entering into a totally new stage of historical development.
The Cambridge Introduction to Russian Literature
Russian literature arrived late on the European scene. Within several generations, its great novelists had shocked - and then conquered - the world. In this introduction to the rich and vibrant Russian tradition, Caryl Emerson weaves a narrative of recurring themes and fascinations across several centuries. Beginning with traditional Russian narratives (saints' lives, folk tales, epic and rogue narratives), the book moves through literary history chronologically and thematically, juxtaposing literary texts from each major period. Detailed attention is given to canonical writers including Pushkin, Gogol, Dostoevsky, Tolstoy, Chekhov, Bulgakov and Solzhenitsyn, as well as to some current bestsellers from the post-Communist period. Fully accessible to students and readers with no knowledge of Russian, the volume includes a glossary and pronunciation guide of key Russian terms as well as a list of useful secondary works. The book will be of great interest to students of Russian as well as of comparative literature.
Ritualized Violence Russian Style
"This book argues that the Russian duel acquired its enduring prestige because it served to define and to defend personal autonomy in a hierarchical state that lacked legal guarantees against corporal punishment. To fight a tradition that tolerated superiors' punching and slapping their subordinates, Russian duelists embraced raw violence and incorporated it into dueling procedure, thus replacing the hierarchical - and therefore humiliating - violence of corporal punishment with the equalizing violence of the duel. Once made reciprocal, a punishing gesture (such as a slap in the face) lost its capacity to impose a hierarchy of authority and became a means of promoting equality between the parties."--BOOK JACKET.
By Honor Bound
In the sixteenth and seventeenth centuries, Russians from all ranks of society were bound together by a culture of honor. Here one of the foremost scholars of early modern Russia explores the intricate and highly stylized codes that made up this culture. Nancy Shields Kollmann describes how these codes were manipulated to construct identity and enforce social norms—and also to defend against insults, to pursue vendettas, and to unsettle communities. She offers evidence for a new view of the relationship of state and society in the Russian empire, and her richly comparative approach enhances knowledge of statebuilding in premodern Europe. By presenting Muscovite state and society in the con...
Dostoevsky’s "Crime and Punishment"
Crime and Punishment: A Reader’s Guide focuses on narrative strategy, psychology, and ideology. Martinsen demonstrates how Dostoevsky first plunges the reader into Raskolnikov’s fevered brain, creating sympathy for him, and she explains why most readers root for him to get away from the scene of the crime. Dostoevsky subsequently provides outsider perspectives on Raskolnikov’s thinking, effecting a conversion in reader sympathy. By examining the multiple justifications for murder Raskolnikov gives as he confesses to Sonya, Dostoevsky debunks rationality-based theories. Finally, the question of why Raskolnikov and others, including the reader, focus on the murder of the pawnbroker and forget the unintended murder of Lizaveta reveals a narrative strategy based on shame and guilt.
Don’t Be a Stranger
It is human nature to want to fit in. The lengths people have gone to do so have provided creative minds with material for centuries. This book explores the consequences of being marked an outsider in the Russian-speaking world through a close study of several seminal works of Russian literature. The author combines the fields of literary studies, linguistics, and sociology to illuminate what prompted Christof Ruhl, an economist at the World Bank, to comment, about Russia, “On a very broad scale, it’s a country where people care about their family and friends. Their clan. But not their society.”
The First Epoch
In the shadow of Pushkin's Golden Age, Russia's eighteenth-century culture was relegated to an obscurity hardly befitting its actually radical legacy. Why did nineteenth-century Russians put the eighteenth century so quickly behind them? How does a meaningful present become a seemingly meaningless past? Interpreting texts by Lomonosov, Derzhavin, Pushkin, Viazemsky, Turgenev, Tolstoy, and others, Luba Golburt finds surprising answers.
