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Artwash
A hard-hitting exposé into Big Oil sponsorship of the arts.
Acrylics for the Absolute Beginner
A comprehensive, accessible course in landscape painting with acrylics from a seasoned artist and teacher. Author Charles Evans’s no-nonsense techniques and engaging writing style bring acrylic painting within the grasp of anyone keen to dive into this versatile and popular medium. The book begins with excellent advice for the beginner, including easy drawing for painting, composition, easy perspective, light and shade, color, and how to use acrylics with different painting styles. There are six full step-by-step painting projects ranging from simple skies to snowy landscapes with horses, each of which is supported by additional exercises and techniques. The step-by-step projects allow aspiring artists to put into practice their new-found skills, and produce six stunning paintings of their own, in a range of styles. A pull-out outline drawing is provided for every project, and Charles shows how to transfer these onto the painting surface. Charles’s irreverent style makes learning to paint with acrylics easy and fun.
Show and Tell
Explores the work fo twelve contemporary illustators of children's books and discusses the techniques and features of effective illustration across a variety of styles and media.
The Art of Losing Control
Since the Enlightenment, western culture has written off ecstatic experience as a form of mental illness. But why should rationality be considered the highest part of human nature when we are capable of so many more states of experience? Piecing together interviews, analysis of ancient and modern philosophy, and his own eclectic encounters with the sublime, philosopher Jules Evans mounts an investigation into what we can gain from mastering the art of losing control. From Aristotle and Plato to the Bishop of London and Sister Bliss, radical jihadis to Silicon Valley transhumanists, The Art of Losing Control is a funny, life-enhancing journey that will change the way you think about how you feel.
Ken Miles
Ken Miles follows the racer's life from the early days in England to his tragic death at Riverside Raceway in 1966. The book format is somewhat different from others. It is essentially a scrapbook. More than 130 photographs are included. Many are from private collections and have never before been published. A fascinating feature is remembrances written by some who knew Miles best, like Carroll Shelby, Augie Pabst, John Morton, Bill Pollack and Ken's son, Peter. Miles himself was an accomplished writer and a few articles he wrote are reprinted. The book starts off with a complete chronology from birth to death and ends with the eulogy delivered by the author's father and a never-before assembled race record. Miles second-place finish at the 1966 Le Mans was mired in controversy. This book goes some distance toward clarification. Interspersed throughout are articles from period publications. The scrapbook is held together with text by the author, a close friend of Miles and his family.
Army Register
None
Is God Invisible?
In this volume, Charles Taliaferro and Jil Evans promote aesthetic personalism by examining three domains of aesthetics - the philosophy of beauty, aesthetic experience, and philosophy of art - through the lens of Judaism, Christianity, Islam, theistic Hinduism, and the all-seeing Compassionate Buddha. These religious traditions assume an inclusive, overarching God's eye, or ideal point of view, that can create an emancipatory appreciation of beauty and goodness. This appreciation also recognizes the reality and value of the aesthetic experience of persons and deepens the experience of art works. The authors also explore and contrast the invisibility of persons and God. The belief that God or the sacred is invisible does not mean God or the sacred cannot be experienced through visual and other sensory or unique modes. Conversely, the assumption that human persons are thoroughly visible, or observable in all respects, ignores how racism and other forms of bias render persons invisible to others.
