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A study of the most influential theatre group of the twentieth century, the Provincetown Players.
Despite his protests, Anne Gilchrist, distinguished woman of letters, moved her entire household from London to Philadelphia in an effort to marry him. John Addington Symonds, historian and theorist of sexual inversion, sent him avid fan mail for twenty years. And volunteer assistant Horace Traubel kept a record of their daily conversations, producing a nine-volume compilation. Who could inspire so much devotion? Worshipping Walt is the first book on the Whitman disciples--the fascinating, eclectic group of nineteenth-century men and women who regarded Walt Whitman not simply as a poet but as a religious prophet. Long before Whitman was established in the canon of American poetry, feminists,...
General Series Editors: Gay Wilson Allen and Sculley Bradley Originally published between 1961 and 1984, and now available in paperback for the first time, the critically acclaimed Collected Writings of Walt Whitman captures every facet of one of America's most important poets. In discussing letter-writing, Whitman made his own views clear. Simplicity and naturalness were his guidelines. “I like my letters to be personal—very personal—and then stop.” The six volumes in The Correspondence comprise nearly 3,000 letters written over a half century, revealing Whitman the person as no other documents can. This supplement updates the Correspondence with nearly 100 letters that appeared aft...
A crisis of faith confronted many Canadian Protestants in the late nineteenth century. With their religious beliefs challenged by the new biological sciences and historical criticism of the Bible, they turned from personal salvation to the dire social problems of the industrial age. The Regenerators explores the nature of social criticism in this era and its complex ties to the religious thinking of the day, showing how the path blazed by nineteenth-century religious liberals led not to the Kingdom of God on earth, but, ironically, to the secular city. The winner of the Governor General's Literary Award for Non-Fiction when it was first published in 1985, The Regenerators became an instant classic for its fascinating portraits of evolutionists, rationalists, spiritualists, socialists, and free thinkers before the turn of the century. This new edition features an introduction by historian and biographer Donald Wright.
Through a close reading of Leaves of Grass, its constituent poems, particularly Song of Myself and Whitman's prose and letters, Aspiz charts how the poet's exuberant celebration of life is a consequence of his central concern: the ever presence of death and the prospect of an afterlife.
This book takes the reader on an adventure quest through Dr. Bucke's amazing life: from his boyhood in London, Ontario, his near-death experience in the U.S. Rockies, his medical studies at McGill University, his marriage and fatherhood, a personal enlightenment experience and his eventual appointment as Superintendent of the London Asylum located a stone's throw from his boyhood home. But the highlight of the journey is the development of his life-changing love of, and devotion to, the great poet Walt Whitman.
General Series Editors: Gay Wilson Allen and Sculley Bradley Originally published between 1961 and 1984, and now available in paperback for the first time, the critically acclaimed Collected Writings of Walt Whitman captures every facet of one of America's most important poets. Daybooks and Notebooks is an invaluable source for reference on Whitman's daily activities. This sixteen-year record supplements the biographical information provided in the six volumes of Whitman’s Correspondence, functioning as an account book, diary, journal, commonplace book, and notebook all in one. When Whitman began to keep them, the Daybooks were a personal record of predominantly business matters. As William White wrote in the introduction, “He was not only the author but the publisher of his works: he was likewise his own business manager, ship, and promoter. Whatever records he kept, of his sales and distribution, of printing and binding figures, of poetry and prose he sent to newspapers and magazines . . . he entered on the right-hand pages.” Volume I thus offers a rare look at Whitman as a businessman, tending as much to practical matters as to art.
The first extensive study of the collected edition as an editorial genre and its obscured role in shaping the American literary canon