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Beyond Guernica and the Guggenheim
Art and politics are viewed from a comparative perspective in this book that goes from the Picasso's Guernica to the modern Bilbao Guggenheim
Artists, Patrons, and the Public
In this book, Barry and Gail Lord focus their two lifetimes of international experience working in the cultural sector on the challenging questions of why and how culture changes. They situate their discourse on aesthetic culture within a broad and inclusive definition of culture in relation to material, physical and socio-political cultures. Here at last is a dynamic understanding of the work of art, in all aspects, media and disciplines, illuminating both the primary role of the artist in initiating cultural change, and the crucial role of patronage in sustaining the artist. Drawing on their worldwide experience, they demonstrate the interdependence of artistic production, patronage, and a...
Contesting Art
Art is a major political weapon of our times. Today, peoples around the world use art to boost their own identity and to attack the ways others represent them. At a time of increasing intercultural exchange, art has become a primary means through which groups reinforce their challenged sense of culture.This pioneering book breaks with the tradition of the anthropology of art as the depoliticized study of aesthetics in exotic settings. Transcending artificial distinctions between the West and the Rest, it examines the increasingly significant relations among art, identity and politics in the modern world.Among the themes investigated by the contributors: - how African painters undermine racist stereotypes yet remain dominated by the Western art market - the role of anthropology museums in the perpetuation of the Western market in 'tribal art' - the internal and external political disputes underlying the 'repatriation' of cultural property.
Studies in Southeast Asian Art
Maritime travelers and tillers of the soil: reading the landscape(s) of Batur / Kaja McGowan -- More than a picture: the instrumental quality of the shadow puppet / Jan Mrz̀ek -- Modern Indonesian ceramic art / Hilda Soemantri -- Memories of a ceramic expert / Barbara Harrisson -- Lucia Hartini, Javanese painter: against the grain, towards herself / Astri Wright -- In the image of the king: two photographs from nineteenth-century Siam / Caverlee Cary -- Whose art are we studying? writing Vietnamese art history from colonialism to the present / Nora A. Taylor -- Telling lives: narrative allegory on a Burmese silver bowl / Robert S. Wicks -- Development of Buddhist traditions in peninsular Thailand: a study based on votive tablets (seventh to eleventh centuries) / M.L. Pattaratorn Chirapravati -- Chinese ceramics and local cultural statements in fourteenth-century southeast Asia / John N. Miksic -- Buddhism and the Pre-Islamic archaeology of Kutei in the Mahakam Valley of east Kalimantan / E. Edwards McKinnon.
The Basque Country and Navarre
In this guidebook to the Spanish and French Basque Country and Navarre, Murray Stewart covers the principal cities - rejuvenated Bilbao, beautiful San Sebastian, verdant Vitoria and lively Pamplona - and also delves deeper into the region's interior, capturing the quirkiness that make it so special
Behind the Masks of Modernism
"A wide-ranging collection that allows the mask—as artifact, metaphor, theatrical costume, fetish, strategy for self-concealment, and treasured cultural object—to clarify modernity’s relationship to history."--Carrie J. Preston, author of Modernism’s Mythic Pose: Gender, Genre, Solo Performance "Covering an impressive range of geographies, cultures, and time periods, these carefully researched essays explore the fascinating role of masks and masking in mediating the relationship between tradition and modernity in both art and literature."--Paul Jay, author of The Humanities “Crisis” and the Future of Literary Studies Behind the Masks of Modernism reconsiders the meaning of "moder...
Expressing Identities in the Basque Arena
Redresses the balance on the human and cultural aspects of the idea of being Basque in the modern world. Everyday nationalism, the human and cultural aspects of identity, is a neglected subject in the literature on nationalism in Europe. Jeremy MacClancy redresses the balance in this unusual and sharp book on the human and cultural aspects of the idea of being Basque in the modern world. The style is fresh and colloquial, dealing with several of the kinds of issues that usually appear in popular magazines - cuisine, football, art and graffiti - but the treatment is serious and illustrative of underlying currents in social life. MacClancy argues that the ethnographic understanding of nationalisms, rather than the orthodox studies of ideology, political parties, social classesand centre-periphery clashes - offers a more nuanced comprehension of the lived reality of people in areas where nationalism is a significant force. This is very much nationalism from the bottom up. JEREMY MACCLANCY is Professor of Social Anthropology at Oxford Brookes University Series editors: Wendy James & Nick Allen
