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The Master Painters of the Dutch Golden Age
Biographies of the main artists and a thematic gallery of the greatest paintings of the period, in one sumptuously illustrated volume.
Dutch Art
An illustrated feast for the eye and intellect Dutch Art explores developments in art, art history, art criticism, and cultural history of the Netherlands from the artists' workshops for the Utrecht Dom in 1475 to the latest movements of the 1990s. it is lavishly illustrated with 147 black-and-white photographs and 16 pages in full color. More than 100 internationally recognized scholars, museum professionals, artists, and art critics contributed signed essays to this monumental work, including historians, sociologists, and literary historians.
The Golden Age
First published 1984. Presents the works and historical circumstances of more than 400 Dutch artists
Still Lifes
The stunning beauty and diversity of 17th-century Dutch still-life painting raises many questions about developments in style and technique. What materials did artists use to produce these works? How were they made? Did all the still-life painters of the period use the same methods and materials? Can we relate differences in materials and methods to differences in style? These questions are explored by the conservators and curators of the Amsterdam Rijksmuseum and scientists attached to the Molart project (Molecular aspect of aging in art) in an examination of paintings by Jan Brueghel, Balthasar van der Ast, Jan Davidsz de Heem, Willem Kalf, Rachel Ruysch, and Jan van Huysum.
Flemish and Dutch Artists in Early Modern England
By examining their production practices in a variety of genres?including manuscript illustration, glass painting and staining, tapestry manufacture, portrait painting, and engraving?this book explores how Netherlandish artists migrating to England in the early modern period overcame difficulties raised by their outsider status. This study examines, for the first time in this context, the challenges of alien status to artistic production and the effectiveness of cooperation as a countermeasure. The author demonstrates that collaboration was chief among the strategies that these foreigners chose to secure a position in London's changing art market. Curd's exploration of these collaborations pr...
A Guide to Dutch Art in America
"The need for a guidebook enabling all those interested in Dutch art to find out at a glance which paintings and drawings by particular artists or which works of applied art of various periods are to be found in the major American public collections is so obvious that it comes as a surprise to discover that none as ever been written. Until now anyone wishing to know where Dutch art from past centuries or the not-so-distant past could be seen or studied had to rely on memory or hearsay, or had to consult the countless catalogues and publications of the far flung individual museums. Since a fundamental goal of American collecting has been to educate people about all cultures, Dutch art, like the art of so many other nations, is found in virtually every city and town across the country. . . Now we have a guide that tells us where to find the art that we seek and that gives us a lively but professional analysis of the historical significance of these treasures."--Preface
Women Artists and Patrons in the Netherlands, 1500-1700
This essay collection features innovative scholarship on women artists and patrons in the Netherlands 1500-1700. Covering painting, printmaking, and patronage, authors highlight the contributions of women art makers in the Netherlands, showing that women were prominent as creators in their own time and deserve to be recognized as such today.
Art and Commerce in the Dutch Golden Age
In this book Michael North examines the Dutch Golden Age, when the Netherlands boasted Europe's greatest number of cities & its highest literacy rate, with unusually large numbers of publicly & privately owned art works, religious tolerance, etc.
Dutch Paintings of the Seventeenth Century
Heda's Banquet Piece, Frans Hals' Willem Coymans, and Rembrandt's Lucretia. Paintings by these and other masters attracted the American collectors P. A. B. Widener, his son Joseph, and Andrew W. Mellon, whose bequests form the heart of the National Gallery's distinguished and remarkably cohesive collection of ninety-one Dutch paintings.
