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Sip!
Indonesia is one of the coutnries where exciting art is still waiting to be discovered. Over the past ten years, a growing number of group exhibitions and survey shows have presented Indonesian art. What has been sorely lacking is a book about the country's best-known artists. "Sip!--Indonesian Art Today" introduces readers to 16 established and young artists, presenting each of them with recent works. Farah Wardani, director of the Indonesian Visual Art Archive, Yogyakarta, has compiled brief texts shedding light on the artist's conceptions. Biographical information, exhibition histories, bibliographies, and portraits of the artists complement the illustrations. The curator Enin Supriyanto,...
Also-space, from Hot to Something Else
Although contemporary art in Indonesia is completely integrated within the global art discourse, the fundamental context of Indonesian artists is in fact quite different from that of the contemporary Western artistic practicein which notions of individuality and autonomy play a key role. Indonesian initiatives tend to include more of an awareness of local networks, and a contextual (as opposed to purely conceptual) way of thinking and acting. This softcover book, Also-Space, From Hot to Something Else, focuses mainly on a Jakarta-based artists initiative called ruangrupa, andto a lesser degreeon a number of other Indonesian artists and initiatives, as case studies of how Indonesian artists organize and manifest themselves individually and collectively. Reinaart Vanhoe (b. 1972, Belgium) lives in both Rotterdam (Holland) and Jakarta (Indonesia); his practice consists of research-based activities that Vanhoe translates into books, exhibitions,
Art and Collecting Art (English Edition)
Oei Hong Djien, Indonesia's distinguished art collector hailling from Magelang, Central Java, is also a writer. From 1990 to the present day, which spans a period of about 20 years, he has written numerous pieces on art. Most are introductions to exhibition catalogues; some are texts for speeches, lectures and discussions; others are articles that have appeared in the catalogues of auction house, magazines and books.
Socio-landscape
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Indonesian art. Pleasures of chaos. Ediz. italiana e inglese
"Secondo la teoria dell'entropia si può presupporre che la condizione di disordine che abbiamo oggi nella vita moderna non sia un sintomo negativo...". Così dichiara Jim Supangkat, autorevole critico e curatore indonesiano, nell'introduzione di questo volume che indaga la scena artistica contemporanea del suo paese attraverso il lavoro di dieci artisti cardine. Similmente alla produzione artistica di altre piazze asiatiche, soprattutto Cina e India, anche l'Indonesiana celebra il caos come, appunto, sintomo globalizzato non necessariamente privo di possibilità espressive. Prosegue, infatti, Supangkat: "Quando il caos raggiunge il suo punto critico, il processo di decadenza e le condizioni di disordine si concludono e una nuova sostanza prende forma, con un livello di ordine che è del tutto differente da quello che esisteva prima...".
Living Art
Living Art: Indonesian Artists Engage Politics, Society and History is inspired by the conviction of so many of Indonesia’s Independence-era artists that there is continuing interaction between art and everyday life. In the 1970s, Sanento Yuliman, Indonesia’s foremost art historian of the late twentieth century, further developed that concept, stating: ‘New Indonesian Art cannot wholly be understood without locating it in the context of the larger framework of Indonesian society and culture’ and the ‘whole force of history’. The essays in this book accept Yuliman’s challenge to analyse the intellectual, sociopolitical and historical landscape that Indonesia’s artists inhabite...
Soul Ties
"Soul Ties is a thematic exhibition of art of colonial and post-colonial Indonesia. The exhibitions thematic focus on Indonesian landscapes and portraitures of the peoples and cultures of Indonesia is underpinned by a curatorial interest in the perceptions and conditions which have influenced local and foreign-born artists in the way they have imaged the land and her people through the centuries. In spanning the period of coverage from the 19th century to the present, the exhibition aims to surface the historical and cultural impulses which have given shape and substance to modern art in Indonesia."--Curatorial statement
