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Tells the story of the design and the decorative arts in Britain from the end of the Middle Ages through the reigns of Henry VIII and the great Elizabethan era to the beginning of the 18th century.
From ancient Sumerian pottery to Tiffany stained glass, decorative art has been a fundamental part of the human experience for generations. While fine art is confined to galleries and museums, decorative art is the art of the every day, combining beauty with functionality in objects ranging from the prosaic to the fantastical. In this work, Albert Jacquemart celebrates the beauty and artistic potential behind even the most quotidian object. Readers will walk away from this text with a newfound appreciation for the subtle artistry of the manufactured world.
This dictionary, with 4,000 entries and more than 1,000 illustrations, provides a concise guide to the decorative arts of the West from the Middle Ages to the present day. Though mainly concerned with the furniture and furnishings of the European and North American private house, it also includes accounts of Chinese and Japanese pottery and porcelain, Peruvian pottery. Islamic metalwork and pottery, Turkish, Persian and other oriental carpets, and many other objects that have influenced the development of the decorative arts in the West.
An informative guide to Russian Decorative Arts and their historical context Covers a wide range of crafts including Fabergé, jewelry, woodwork, hardstone, glass and porcelain, as well as precious metal Explores pre-Revolutionary Russia, discussing various artifacts of the Tsarist era as far back as the 16th and 17th centuries with particular focus on the 18th, 19th and early 20th centuries Ideal for both novice and established collectors of the field Russia's last great Imperial celebration took place at the Winter Palace in St Petersburg with the lavish ball of 1913 celebrating 300 years of Romanov rule. The finest gowns, jewels, snuff boxes, and banqueting tableware of the Tsarist era we...
work on the subject for many years to come." "With over 1,000 illustrations in colour and black-and-white." --Book Jacket.
Von 1906 bis 1980 brachte das britische Magazin The Studio jeweils ein Jahrbuch zum Thema Decorative Art heraus, das sich den jüngsten Trends in Baukunst, Innenarchitektur und -einrichtung widmete, darunter Sparten wie Beleuchtung, Glaswaren, Textilien, Metallwaren und Keramik. Seit die Publikation eingestellt wurde, sind die inzwischen schwer aufzutreibenden Kompendien bei Händlern und Sammlern überaus begehrt. Die 1960er-Jahre waren ein Jahrzehnt beispielloser gesellschaftlicher, sexueller und politischer Veränderungen. Befreiung lag in der Luft, Nationen eilten im Wettlauf zum Mond, die visuelle Schöpferkraft war schier grenzenlos, und all die aufgestauten Energien bahnten sich ihren...
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On cover: An illustrated guide to a decorative style from 1920 to 1939. Presents artists and designers of the Arts Deco period and their works.
This title was first published in 2002. To date, studies explaining decorative practice in the early modernist period have largely overlooked the work of women artists. For the most part, studies have focused on the denigration of decorative work by leading male artists, frequently dismissed as fashionably feminine. With few exceptions, women have been cast as consumers rather than producers. The first book to examine the decorative strategies of late nineteenth- and early twentieth-century women artists, Women Artists and the Decorative Arts concentrates in particular on women artists who turned to fashion, interior design and artisanal production as ways of critically engaging various aspects of modernity. Women artists and designers played a vital role in developing a broad spectrum of modernist forms. In these essays new light is shed on the practice of such well-known women artists as May Morris, Clarice Cliff, Natacha Rambova, Eileen Gray and Florine Stettheimer, whose decorative practices are linked with a number of fascinating but lesser known figures such as Phoebe Traquair, Mary Watts, Gluck and Laura Nagy.