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Christopher Dresser
Dresser was also a pioneer in his vision of industry as a means to spread the tenets of good design.
Shock of the Old
"Published in conjunction with Christopher Dresser's first comprehensive museum retrospective, organized by Cooper-Hewitt, National Design Museum, then traveling to the Victoria and Albert Museum, this extensively illustrated survey affirms his achievement as the first professional industrial designer - in effect, the inventor of the modern-day career of product designer. Dresser (1837-1904) trained both as a designer and a botanist, deriving his design vocabulary initially from observations of nature. As the first European designer to visit Japan in an official capacity, he made comprehensive study of Japanese art during his four-month visit. The experience confirmed his belief in the supre...
Christopher Dresser
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Christopher Dresser
Christopher Dresser supplied designs to the most eminent manufacturers in Britian and featured in this book are examples from metalware, ceramics, and glass to tiles, textiles, wallpaper and cast- iron furnishings.
Christopher Dresser Textiles
- A significant collection of textile works from a prolific yet often-overlooked designer, whose influence is felt to this day - Dresser stands out among his contemporaries, both for his efforts to make good designs affordable and his embracing of mechanisation - Written by a renowned expert on Christopher Dresser Dr Christopher Dresser is best remembered for his pioneering advances in design and associated technology. In the new industrial world of the nineteenth century, Dresser was the first designer to understand that machinery was a good servant but a poor master; he made it his business to understand how machines worked. His success gained him credibility. Dresser became a sought-after...
Christopher Dresser
A beautifully designed gift book devoted to the work of Christopher Dresser, one of the most influential British designers, whose work continues to resonate today. Christopher Dresser (1834–1904) is one of the most influential British designers of all time and is widely regarded as Britain’s first independent industrial designer. More than a century later, his works still look remarkably modern. Like his contemporary William Morris, Dresser advocated for an honesty of materials, but unlike Morris he fully embraced industrial techniques, designing for the growing consumer market. Through Dresser’s fascination with the arts of Japan and his strong belief in Owen Jones’s principle that ...
Studies in Design
In Christopher Dresser's own words, "I have prepared this Work with the hope of assisting to bring about a better style of decorations for our houses. My book is intended to help the decorator and to enable those who live in decorated houses to judge, to an extent, the merit of the ornament around them." Indeed, in this reprint of the classic Studies in Design, the timeless designs and wisdom of Christopher Dresser are reintroduced. Originally published in 1875, Studies in Design features Dresser's exquisite design and classic theories that have enduring appeal. Christopher Dresser is considered by many to have been the most influential designer of the nineteenth century, and his designs later had a major influence on the Arts & Crafts and Modernist movements. Dresser's designs, which later influenced other artisans such as William Morris and Charles Tiffany, reveal exotic influences from such locations as Egypt, Japan, China, India, and Morocco.
Christopher Dresser, 1834-1904
"Dr Christopher Dresser was the first industrial designer, running a studio supplying designs to many different manufacturers in several countries. Queen Victoria's husband, Prince Albert had tried to reform the standards of design to met the challenges of industrial production methods by establishing the Government Schools of Design, and in 1850 it was decided to hold an International Exhibition in London. The Great Exhibition of the Works of Industry of All Nations was a great success and had over six million visitors in the six months that it was open, but it only emphasized the urgent need for highter standards of industrial design." - book jacket.
