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This book, the first devoted to the history and contemporary forms of Irish performance art in the north and south of Ireland, brings together contributions by prominent Irish artists and major academics. It features rigorous critical and theoretical analysis as well as historical commentaries that provide an absorbing sense of the rich histories of performance art in Ireland. Presenting diverse visual documentation of performance art practices, this collection shows how performance art in Ireland engaged with – and in turn influenced and led – contemporary performance and Live Art internationally. Co-published with Live Art Development Agency.
Art of the United Kingdom of Great Britain and Northern Ireland & the Republic of Ireland in 20th–21st Centuries and Polish–British & Irish Art Relations is the fifth volume of Studies on Modern Art and a first book of this kind in Poland.The volume presents research on British and Irish art conducted mainly by Polish scholars. So far, the research on British art in the 20th century – in comparison to the research on modern French, German, Russian, Italian and American art – has been taken up only sporadically. The greatest number of Polish publications have concernedpost-war British art, while there is almost no publication devoted to interwar art. No research on Irish art has been ...
This book focuses on the performance art of Marilyn Arsem, an internationally acclaimed performance artist known for her innovative and experimental work. Arsem’s work addresses women’s history and myth-making capacities, the potency of site and geography, the idea of the audience as witnesses and the intimacy of one-to-one works. One of the most prolific performance artists working in the United States today, Arsem performs carefully choreographed durational actions that are developed site-responsively and range from deceptively simple interventions to elaborately orchestrated actions. This edited volume seeks to extend Arsem’s legacy beyond the audiences of her live performances and ...
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