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The Pottery
  • Language: en
  • Pages: 234

The Pottery

  • Type: Book
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  • Published: 1979
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  • Publisher: BRILL

None

Demonizing the Other
  • Language: en
  • Pages: 394

Demonizing the Other

  • Type: Book
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  • Published: 2013-03-07
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  • Publisher: Routledge

At the close of the twentieth century the stereotyping and demonization of 'others', whether on religious, nationalist, racist, or political grounds, has become a burning issue. Yet comparatively little attention has been paid to how and why we fabricate images of the 'other' as an enemy or 'demon' to be destroyed. This innovative book fills that gap through an interdisciplinary, cross-cultural approach that brings together a distinguished array of historians, anthropologists, psychologists, literary critics, and feminists. The historical sweep covers Greco-Roman Antiquity, the MIddle Ages, and the MOdern Era. Antisemitism receives special attention because of its longevity and centrality to the Holocaust, but it is analyzed here within the much broader framework of racism and xenophobia. The plurality of viewpoints expressed in this volume provide fascinating insights into what is common and what is unique to the many varieties of prejudice, stereotyping, demonization, and hatred.

Kenchreai, Eastern Port of Corinth. IV. the Pottery
  • Language: en
  • Pages: 221

Kenchreai, Eastern Port of Corinth. IV. the Pottery

  • Type: Book
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  • Published: 2023-11-13
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  • Publisher: BRILL

None

The Ages of Homer
  • Language: en
  • Pages: 592

The Ages of Homer

Homer’s Iliad and Odyssey have fascinated listeners and readers for over twenty-five centuries. In this volume of original essays, collected to honor the distinguished career of Emily T. Vermeule, thirty-four leading experts in Homeric studies and related fields provide up-to-date, multidisciplinary accounts of the most current issues in the study of Homer. The book is divided into three sections. The first section treats the Bronze Age setting of the poems (around 1200 B.C.), using archaeological evidence to reveal how poetic memory preserves, distorts, and invents the past. The second section explores the early Iron Age, in which the poems were written (c. 800-500 B.C.), using the strategies of comparative philology and mythology, literary theory, historical linguistics, anthropology, and iconography to determine how the poems took shape. The final section traces the use of Homer for literary and artistic inspiration by classical Greece and Rome.

Studies on the History of Late Antique and Christian Nubia
  • Language: en
  • Pages: 323

Studies on the History of Late Antique and Christian Nubia

Gathered together here are the fruits of 60 years of research by the late Sir Laurence Kirwan into the history and archaeology of the mid 1st millennium AD in the Middle Nile Valley, papers previously scattered through a wide range of publications. Kirwan's fieldwork in the region, undertaken between 1929 and 1936, kindled a life-long interest in the transition from the pagan Kushite kingdom to the medieval Nubian states of Nobadia, Makuria and Alodia (Alwa) and of their conversion to Christianity in the 6th century AD. The 25 studies, one published here for the first time, were often of seminal importance when they first appeared, the author being exemplary in his use of the written sources to elucidate the archaeological data. As the preface by the editors shows, the views expressed remain fundamental to modern scholarship, offering valuable insights into this still relatively obscure period of transition from the ancient to the medieval world.

The Italiote Red-figured Vases in the Museo Camillo Leone at Vercelli
  • Language: en
  • Pages: 126

The Italiote Red-figured Vases in the Museo Camillo Leone at Vercelli

English summary: In this volume Alexander Cambitoglou, a world famous specialist in the field of italicized painted vases, publishes a small but interesting collection of red figure vases in the collection of Vercelli's Camillo Leone Museum. The Leone Collection was established between 1870-1907 by the Piemontese jurist who was profoundly interested in ancient art, and even today consists of twenty-nine Apulian vases and six from Campania. Among these, one might highlight a notable columned crater of the Berlin Dancer Painter. The historic profile outlined by Maurizio Harari aims at illustrating the cultural situation in Vercelli at the end of the XIX century. Italian description: In questo ...

The Development of a Cross-cultural Instructional Model Comparing the Chinese and Western Landscape Painting
  • Language: en
  • Pages: 350
The Solar Myths and Opicinus de Canistris
  • Language: en
  • Pages: 172

The Solar Myths and Opicinus de Canistris

  • Type: Book
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  • Published: Unknown
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  • Publisher: Daimon

C.G. Jung held an ‘extemporaneous’ seminar on “The Solar Myths and Opicinus de Canistris” at the 1943 Eranos Conference. In a complete version for the first time, this book presents all of the known material relating to the seminar, including notes taken by two of his students, Alwine von Keller and Rivkah Schärf Kluger, and the outline that Jung himself prepared. Opicinus de Canistris (1296–c. 1352) was a priest and cartographer from near Pavia, Italy. His typically medieval cartography is characterized by historical, theological, symbolic and astrological references along with a curious anthropomorphism, which depicted continents and oceans with human features. Jung recognized t...

Studio
  • Language: en
  • Pages: 326

Studio

  • Categories: Art
  • Type: Book
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  • Published: 1963
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  • Publisher: Unknown

None

Imagines variis artibus effigiatae'. Cesare Saletti: scritti di ritrattistica romana
  • Language: it
  • Pages: 416

Imagines variis artibus effigiatae'. Cesare Saletti: scritti di ritrattistica romana

Il volume raccoglie gli articoli che il celebre prof. Cesare Saletti ha dedicato a problemi di ritrattistica romana, un ambito nel quale la sua figura occupa un posto di grande rilievo. Dai testi emergono i principi metodologici guida dello studioso: l’impegno a cogliere la valenza storica di un ritratto privato o ufficiale (come di un tipo ritrattistico), l’utilizzo di tutti i dati a disposizione (fonti letterarie, epigrafiche, numismatiche, dati fisionomici), l’esame degli attributi, l’analisi stilistica, con tutte le difficoltà che comporta.