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Shortly after the New York Times had hailed John Cranko’s achievement as 'The German Ballet Miracle', his death mid-Atlantic deprived the world of one of its greatest choreographers.
Shortly after the New York Times had hailed John Cranko’s achievement as 'The German Ballet Miracle', his death mid-Atlantic deprived the world of one of its greatest choreographers. After leaving his native South Africa at eighteen, never to return, Cranko quickly became a resident choreographer with the Royal Ballet. He collaborated closely with luminaries such as Benjamin Britten and John Piper and encouraged the young Kenneth MacMillan. Tirelessly innovative, he devised a hit musical revue, Cranks as well as perennial favourites such as Pineapple Poll. His charm and wit endeared him to colleagues and royalty alike, but in the late 1950s his star began to wane. This, and a much-publicis...
This gorgeous book presents the broad spectrum of ballet and dance historically in this country - where it has come from, what has influenced the art-form, who has been involved, and who are the present movers and shakers. It's beautiful to look at, with striking photos and ephemera, attractive poster designs, programme covers plus illustrations. There's great information and anecdotes on personalities, plus interesting 'facts' in separate breakout boxes. Its themes include the influence of overseas companies on dance in New Zealand from 1913 to the present; the advent of a national identity with the establishment of the Royal New Zealand Ballet; the emergence of modern dance in the 1930s and the contemporary dance scene today. Each chapter features a discussion on dance styles, the vigour of the artistic personalities involved and the social milieu in which they operated. A very thorough and lively examination of the dance scene in New Zealand.
Renowned for its versatility & applauded for its diverse & dynamic repertoire, Scottish Ballet, Scotland's vibrant national dance company, marks its 40th anniversary with a selection of striking & beautiful images that capture perfectly the chic style of a company whose powerful athleticism continues to attract acclaim worldwide.
Kenneth MacMillan's ballets are in constant demand by world-famous companies, particularly Romeo and Juliet, Manon and Mayerling. However, MacMillan was tormented by an acute sense of being an outsider, and often at odds with the institutions in which he worked. A real-life Billy Elliot from a Scottish working class family, MacMillan demonstrated a prodigious talent for dancing from an early age. Following the premature death of his mother, the young MacMillan sought an escape, and despite his father's disapproval, secured a place at Sadler's Wells. Paradoxically he found himself crippled by stage-fright during the height of his professional career, leaving him with only one option - choreog...
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The intention of this work is to present perspectives on post-apartheid dance in South Africa by South African authors. Beginning with an historical context for dance in SA, the book moves on to reflect the multiplicity of bodies, voices and stories suggested by the title. Given the diversity of conflicting realities experienced by artists in this country, contentious issues have deliberately been juxtaposed in an attempt to draw attention to the complexity of dancing on the ashes of apartheid. Although the focus is dance since 1994, all chapters are rooted in an historical analysis and offer a view of the field. This book is ground breaking as it is the first of its kind to speak of contemp...