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The Ballets Russes in Australia and Beyond draws together essays by leading international and national scholars, who explore the rich legacy of the Ballets Russes. A dazzling array of pictures brings to life the sheer vitality of the companies in a way that makes the volume indispensable to balletomanes, scholars, and those fascinated by the synergies between the creative arts in general.
This gorgeous book presents the broad spectrum of ballet and dance historically in this country - where it has come from, what has influenced the art-form, who has been involved, and who are the present movers and shakers. It's beautiful to look at, with striking photos and ephemera, attractive poster designs, programme covers plus illustrations. There's great information and anecdotes on personalities, plus interesting 'facts' in separate breakout boxes. Its themes include the influence of overseas companies on dance in New Zealand from 1913 to the present; the advent of a national identity with the establishment of the Royal New Zealand Ballet; the emergence of modern dance in the 1930s and the contemporary dance scene today. Each chapter features a discussion on dance styles, the vigour of the artistic personalities involved and the social milieu in which they operated. A very thorough and lively examination of the dance scene in New Zealand.
None of us had the faintest idea where we were going [but] during 1938–39 . . . the town [Christchurch] was made strangely interesting for anyone like myself, [with the] scattered arrival of ‘the refugees’. All at once there were people among us who were actually from Vienna, or Chemnitz, or Berlin . . . who knew the work of Schoenberg and Gropius. – Anthony Alpers, 1985 From the 1930s through the 1950s, a substantial number of forced migrants – refugees from Nazism, displaced people after World War II and escapees from Communist countries – arrived in New Zealand from Europe. Among them were an extraordinary group of artists and writers, photographers and architects whose Europe...
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Die Ergebnisse des 40. Symposiums zur Geschichte Millstatts und Kärntens spiegeln die reiche und wechselvolle Kulturgeschichte dieser Region. Die Autorinnen und Autoren widmen sich ihr aus den Perspektiven der Landschafts-, Architektur- und Kunstgeschichte, Kodikologie und Wissenschaftsgeschichte. Sie diskutieren, ob die Ortenburg (bei Spittal) die größte Burg Kärntens gewesen ist, und zeichnen den Weg illuminierter Handschriften aus Italien nach Millstatt nach, als Beispiel für die internationale spätmittelalterliche Buchkultur. Sie zeigen, wie anhand Millstätter Handschriftenfragmente prominente Texte identifiziert werden konnten, was neue Fragen zum Bücherkanon der Klöster aufwirft. Einblicke in die Wissenschaftsgeschichte um 1900 eröffnet ein Briefwechsel des Anthropologen Felix von Luschan mit dem Prähistoriker Carlo de Marchesetti. Nah an den Debatten des Hier und Heute ist zudem die Auswertung einer Porträtsammlung Felix von Luschans, die eine Neubewertung der damaligen anthropologischen Porträtphotographie fremder Kulturen erlaubt.
The third edition of this handbook addresses not only the concept of resilience in children who overcome adversity, but it also explores the development of children not considered at risk addressing recent challenges as a consequence of the COVID-19 pandemic. The new edition reviews the scientific literature that supports findings that stress-hardiness and resilience in all children leads to happier and healthier lives as well as improved functionality across the lifespan. In this edition, expert contributors examine resilience in relation to environmental stressors as phenomena in child and adolescent disorders and as a means toward positive adaptation into adulthood. The significantly expa...
Originally published in 1814, Werner's Nomenclature of Colours is a remarkable guide to the colors of the natural world. This edition includes additions by Patrick Syme, a Scottish artist who used the book to create scientifically accurate color charts for field use. With over 100 color swatches and detailed descriptions of each color, this book is an invaluable resource for artists, scientists, and nature lovers. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.