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This collection rethinks crisis in relation to critique through the prism of various declared ‘crises’ in the Mediterranean: the refugee crisis, the Eurozone crisis, the Greek debt crisis, the Arab Spring, the Palestinian question, and others. With contributions from cultural, literary, film, and migration studies and sociology, this book shifts attention from Europe to the Mediterranean as a site not only of intersecting crises, but a breeding ground for new cultures of critique, visions of futurity, and radical imaginaries shaped through or against frameworks of crisis. If crisis rhetoric today serves populist, xenophobic or anti-democratic agendas, can the concept crisis still do the work of critique or partake in transformative languages by scholars, artists, and activists? Or should we forge different vocabularies to understand present realities? This collection explores alternative mobilizations of crisis and forms of art, cinema, literature, and cultural practices across the Mediterranean that disengage from dominant crisis narratives. Chapter 1 is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.
'Claire Launchbury and Megan C. MacDonald’s edited collection of essays offers a series of comparative analyses of the literary and filmic texts, contexts, and crossings of the Mediterranean region. [...] The book immediately illustrates the breadth, depth, and interdependenc of what has become known as Mediterranean Studies. The collection expands the borders of the Medite rranean space, and posits it as a place of constant identitarian and linguistic interrogation for both those who occupy it and those who document it. [...] This collection will be a valuable resource for scholars who are looking for a contemporary and comprehensive entry point into Mediterranean Studies. [...] With its focus on transnationalisms, genre and border crossings, and complicated identities in the constantly reinvented and reinventing space of the Mediterranean, Launchbury and MacDonald’s collection offers a wealth of literary and cultural routes to follow.' Maria Vendetti, Studies in 20th & 21st Century Literature
Dissects the ways filmmakers frame ethnic and racial Otherness in Europe as adornments of catastrophe
A Precarious Game is an ethnographic examination of video game production. The developers that Ergin Bulut researched for almost three years in a medium-sized studio in the U.S. loved making video games that millions play. Only some, however, can enjoy this dream job, which can be precarious and alienating for many others. That is, the passion of a predominantly white-male labor force relies on material inequalities involving the sacrificial labor of their families, unacknowledged work of precarious testers, and thousands of racialized and gendered workers in the Global South. A Precarious Game explores the politics of doing what one loves. In the context of work, passion and love imply free...
Filming in European Cities explores the effort behind creating screen production locations. Ipek A. Celik Rappas accounts the rising demand for original and affordable locations for screen projects due to the growth of streaming platforms. As a result, screen professionals are repeatedly tasked with chores such as transforming a former factory in Istanbul to resemble a war zone in Aleppo, or finding a London street that evokes Barcelona. Celik Rappas highlights the pivotal role crew members play in transforming cities and locations into functional screen settings. Examining five European media capitals—Athens, Belfast, Berlin, Istanbul, and Paris—the book delves into the overlooked aspects of location-related screen labor and its ability to generate production value. Filming in European Cities demonstrates that in its perpetual quest for authentic filming locations, the screen industry extracts value from cities and neighborhoods, their marginalized residents, and screen labor, enriching itself through this triple exploitation.
As it seeks to win the hearts and minds of citizens in the Muslim world, the United States has poured millions of dollars into local television and radio programming, hoping to generate pro-American currents on Middle Eastern airwaves. However, as this fascinating new book shows, the Middle Eastern media producers who rely on these funds are hardly puppets on an American string, but instead contribute their own political and creative agendas while working within U.S. restrictions. The Other Air Force gives readers a unique inside look at television and radio production in Afghanistan and the Palestinian territories, from the isolated villages of the Afghan Panjshir Valley to the congested st...
In Television Cities Charlotte Brunsdon traces television's representations of metropolitan spaces to show how they reflect the medium's history and evolution, thereby challenging the prevalent assumptions about television as quintessentially suburban. Brunsdon shows how the BBC's presentation of 1960s Paris in the detective series Maigret signals British culture's engagement with twentieth-century modernity and continental Europe, while various portrayals of London—ranging from Dickens adaptations to the 1950s nostalgia of Call the Midwife—demonstrate Britain's complicated transition from Victorian metropole to postcolonial social democracy. Finally, an analysis of The Wire’s acclaimed examination of Baltimore, marks the profound shifts in the ways television is now made and consumed. Illuminating the myriad factors that make television cities, Brunsdon complicates our understanding of how television shapes perceptions of urban spaces, both familiar and unknown.
This book was written for people who would like to learn more about Polish K-Pop fandom, but it can also be of help for those who are looking for some basic information about fan studies or K-Pop in general. Korean music has only recently started to gain popularity in Poland (as well as in other European countries). Some may affiliate K-Pop with Psy’s Gangnam Style, a track which was virtually inescapable in the summer of 2012, but around that time the European K-Pop fandom was already well-developed, as evidenced by the Korean group Big Bang winning MTV European Music Award in 2011, or the flashmob fans organized in front of the Louvre museum that forced one of the biggest Korean entertainment companies to organize one more concert of their artists in the same year. Nevertheless, K-Pop’s international popularity peak is often being connected to BTS’ success, when they were awarded the Top Social Artist Award and successfully performed during the Billboard Music Awards in 2017. It would be difficult to say how many K-Pop fans there are in Poland now and how the number changed over the years, but it is still undoubtedly growing.
From the tiniest microchip to the information superhighway, the modern world is dominated by and dependent upon science. Yet whether we realize it or not we live in an age where faith is still an important influence in our lives. The majority of Americans profess a belief in a Christian God and Islam acts as a unifying, energizing force for many of the world's most dispossessed people. In the UK congregations may be shrinking, but popular belief in the supernatural - ghosts and spirits, fortune-telling, faith healing - is stronger than ever. In The Story of God Robert Winston examines a relationship between science and religion across time, beginning with the primitive worship of early ancestors and concluding with a vivid portrait of faith in the modern world. Grand in scope, adventurous in tone - and written from the perspective of a respected scientist who is also committed to Judaism - this groundbreaking work traces a line across continents, cultures and eras. 'Lively and accessible. An enthusiastic starting point for the study of a fascinating area of human philosophy and psychology'Waterstone's Books Quarterly Published with the permission of the BBC