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This Thing of Darkness
  • Language: en
  • Pages: 425

This Thing of Darkness

Sergei Eisenstein's unfinished masterpiece, Ivan the Terrible, was no ordinary movie. Commissioned by Joseph Stalin in 1941 to justify state terror in the sixteenth century and in the twentieth, the film's politics, style, and epic scope aroused controversy even before it was released. In This Thing of Darkness, Joan Neuberger offers a sweeping account of the conception, making, and reception of Ivan the Terrible that weaves together Eisenstein's expansive thinking and experimental practice with a groundbreaking new view of artistic production under Stalin. Drawing on Eisenstein's unpublished production notebooks, diaries, and manuscripts, Neuberger's riveting narrative chronicles Eisenstein...

Picturing Russia
  • Language: en
  • Pages: 304

Picturing Russia

What can Russian images and objects—a tsar’s crown, a provincial watercolor album, the Soviet Pioneer Palace—tell us about the Russian people and their culture? This wide-ranging book is the first to explore the visual culture of Russia over the entire span of Russian history, from ancient Kiev to contemporary, post-Soviet society. Illustrated with more than one hundred diverse and fascinating images, the book examines the ways that Russians have represented themselves visually, understood their visual environment, and used visual images in social and political contexts. Expert contributors discuss images and objects from all over the Russian/Soviet empire, including consumer goods, ar...

Imitations of Life
  • Language: en
  • Pages: 358

Imitations of Life

DIVUses the under-studied genre of melodrama as a critical prism for understanding Russian/Soviet history, politics and culture--in particular, the uses to which popular culture was put in the Soviet period./div

Europe and the Making of Modernity, 1815-1914
  • Language: en
  • Pages: 396

Europe and the Making of Modernity, 1815-1914

The authors chronicle the political, economic, and social changes that revolutionised Europe during the long 19th century. From the Congress of Vienna through the assassination of Archduke Franz Ferdinand at Sarajevo, the narrative takes students throughthe complex events of the century in a clear and cogent way.

The Alcalde
  • Language: en
  • Pages: 96

The Alcalde

  • Type: Magazine
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  • Published: 2011-01
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  • Publisher: Unknown

As the magazine of the Texas Exes, The Alcalde has united alumni and friends of The University of Texas at Austin for nearly 100 years. The Alcalde serves as an intellectual crossroads where UT's luminaries - artists, engineers, executives, musicians, attorneys, journalists, lawmakers, and professors among them - meet bimonthly to exchange ideas. Its pages also offer a place for Texas Exes to swap stories and share memories of Austin and their alma mater. The magazine's unique name is Spanish for "mayor" or "chief magistrate"; the nickname of the governor who signed UT into existence was "The Old Alcalde."

And Now My Soul Is Hardened
  • Language: en
  • Pages: 400

And Now My Soul Is Hardened

Warfare, epidemics, and famine left millions of Soviet children homeless during the 1920s. Many became beggars, prostitutes, and thieves, and were denizens of both secluded underworld haunts and bustling train stations. Alan Ball's study of these abandoned children examines their lives and the strategies the government used to remove them from the streets lest they threaten plans to mold a new socialist generation. The "rehabilitation" of these youths and the results years later are an important lesson in Soviet history.

Workers and Intelligentsia in Late Imperial Russia
  • Language: en
  • Pages: 376
Ivan the Terrible
  • Language: en
  • Pages: 156

Ivan the Terrible

Eisenstein's last, unfinished masterpiece is a strange, complex and haunting film. Commissioned personally by Stalin in 1941, the project placed Eisenstein in the paradoxical situation of having to glorify Stalinist tyranny in the image of Ivan, without sacrificing his own artistic and political integrity - or his life. Drawing on sources that include Eisenstein's personal archive and the memoirs of those involved in Ivan's making, Joan Neuberger's vivid account reveals how, in almost impossible circumstances, he managed to create a film of cinematic innovation, intellectual depth and political critique. She reveals the film to be both a great work of art and a product of the time and place in which it was made.