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The Oxford English Dictionary defines koine as 'a set of cultural or other attributes common to various groups' . This volume merges an academic career over a half century in breadth and scope with an editorial vision that brings together a chorus of scholarly contributions echoing the core principles of R. Ross Holloways own unique perspective on ancient Mediterranean studies. Through broadly conceived themes, the four individual sections of this volume (I. A View of Classical Art: Iconography in Context; II. Crossroads of the Mediterranean: Cultural Entanglements Across the Connecting Sea; III. Coins as Culture: Art and Coinage from Sicily; and IV. Discovery and Discourse, Archaeology and Interpretation) are an attempt to capture the many and varied trajectories of thought that have marked his career and serve as testimony to the significance of his research. The twenty-four papers (plus four introductory essays to the individual sections, biographical sketch and main introduction) contain recent research on subjects ranging from the Kleophrades Painter to the Black Sea, Sicilian Coinage and archaeology in modern Rome.
Written by a geologist rather than an art historian, Inigo’s Stones has a down to earth narrative which reveals Inigo Jones as a stone expert who dealt with masons to became a shrewd businessman, bringing Portland stones to London, and founding the modern Portland stone industry.Why are so many of London’s famous buildings, for example Buckingham Palace, the British Museum, the Bank of England, the government offices in Whitehall, faced with stones from the Isle of Portland, more than a hundred miles away? Until now the reasons that prompted famous architect Inigo Jones to bring blocks of this creamy limestone all the way by sea from the Royal Manor of Portland and thereby found the mode...
The meeting assembled an interdisciplinary group of nearly 50 archaeologists and art historians, geologists and geochemists from the U.S.A. and 14 European and Near Eastern countries to discuss the provenance, quarrying, transport and use of stone from prehistoric to early Christian times, both in Europe and in the Near East. The papers which reflect a merger between classicism and geotechnology, thus deal with (1) quarries from the Bronze Age to the Byzantine period, their technology and organization, (2) quarry prospection through satellite imaging, (3) dressing of artifacts near the quarries, (4) trade, availability and archaeological use of certain stones in antiquity, (5) determination ...
The control over marble and metal resources was of major importance to the Roman Empire. The emperor's freedmen and slaves, officers and soldiers of the Roman army, equestrian officials, as well as convicts and free labour were seconded to mines and quarries throughout Rome's vast realm. Alfred Hirt's comprehensive study defines the organizational outlines and the internal structures of the mining and quarrying ventures under imperial control. The themes addressed include: challenges faced by those in charge of these extractive operations; the key figures, their subaltern personnel and their respective responsibilities; the role of the Roman army; the use of civilian partners in quarrying or mining ventures; and the position of the quarrying or mining organizations within the framework of the imperial administration.
The Archaeology of Roman Portugal aims to contribute to the wider debate on Roman imperialism and expansionism, by bringing to the fore a much-underrepresented area of the Roman empire, at least in English-language scholarship: its westernmost edge in modern day Portugal. Highlighting the perspective from Roman Portugal will contribute to our understanding of the Roman empire, because it presents both an extraordinary landscape in the sense of economic opportunities (ocean resources, marble and metal mining) and settlement history. The volume aims to present new data and insights from both archaeology and ancient history, and to discuss their significance for our understanding of Roman expan...
Cosa, a small Roman town, has been excavated since 1948 by the American Academy in Rome. This new volume presents the surviving sculpture and furniture in marble and other stones and examines their nature and uses. These artifacts provide an insight into not just life in a small Roman town but also its embellishment mainly from the late Republic and through the early Empire to the time of Hadrian. While public statuary is not well preserved, stone and marble material from the private sphere are well represented; domestic sculpture and furniture from the third century BCE to the first CE form by far the largest category of objects. The presence of these materials in both public and private spheres sheds light on the wealth of the town and individual families. The comparative briefness of Cosa’s life means that this material is more easily comprehensible as a whole for the entire town as excavated, compared for instance to the much larger cities of Pompeii and Herculaneum.
Natural stone is considered to be a versatile, durable and aesthetically pleasing building material. From the beginning of civilization, important structures and monuments have been built from, or based on, natural stone. Until the end of the nineteenth century, the use of local stone re-sources was mostly in balance with the local environment. Strict environ-mental legislation has resulted in the closing of many long-standing quar-ries in industrialized countries, which has led to a shortage of traditional stone varieties. This has caused problems for restoration practice. Cheap, imported stone from less industrialized countries has become more widely available in recent years. Some of the issues related to built stone conservation and restoration cov-ered by this volume are: the establishment of inventories of possible re-placement stones; understanding the decay mechanism and use of preven-tive conservation methods for slowing down decay processes; evaluation of the properties of natural stone; and assessing the risks of using replacement stones of different qualities.
At the turn of the twentieth century, Francis W. Kelsey began to amass a large collection of artifacts from ancient sites across the Mediterranean, with an emphasis on Imperial Rome, to broaden the teaching of antiquity at the University of Michigan. Among the objects now housed in the museum that bears his name is a collection of seven hundred colorful stones dating to the Roman period, one of the largest and most varied collections of Roman decorative stones outside Europe. These pieces were obtained as archaeological artifacts, mostly architectural, with many deriving from well-known ancient buildings, such as the Baths of Diocletian in Rome and the Palace of Herod in Jericho, allowing fo...