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Nordic National Cinemas
  • Language: en
  • Pages: 262

Nordic National Cinemas

  • Type: Book
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  • Published: 2005-07-19
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  • Publisher: Routledge

Nordic National Cinemas explores the film histories and cultures of Denmark, Finland, Norway, Iceland and Sweden. The authors trace the twentieth-century development of each country's domestic film production and audiences.

Cinema Studies Into Visual Theory?
  • Language: en
  • Pages: 215

Cinema Studies Into Visual Theory?

  • Type: Book
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  • Published: 1998
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  • Publisher: Unknown

None

Föreställningar om filmbilden
  • Language: sv
  • Pages: 126

Föreställningar om filmbilden

  • Type: Book
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  • Published: 2017
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  • Publisher: Unknown

None

Moving Images
  • Language: en
  • Pages: 217

Moving Images

Seventeen essays examining the impact of new media on the history of cinema. In 1888, Thomas Edison announced that he was experimenting on “an instrument which does for the eye what the phonograph does for the ear, which is the recording and reproduction of things in motion.” Just as Edison’s investigations were framed in terms of the known technologies of the phonograph and the microscope, the essays in this collection address the contexts of innovation and reception that have framed the development of moving images in the last one hundred years. Three concerns are of particular interest: the contexts of innovation and reception for moving image technologies; the role of the observer,...

A History of Swedish Experimental Film Culture
  • Language: en
  • Pages: 248

A History of Swedish Experimental Film Culture

This first-ever study of Swedish experimental film represents the results of a Swedish Research Council initiative in 2006--2008. The essays address the institutions, filmmakers, and films important to the history of experimental film in Sweden, and place this history in larger artistic and socio-cultural contexts. The authors look at the work of the Independent Film Group, regional Fluxus groups, E.A.T., and figures such as Viking Eggeling, Rune Hagberg, Pontus Hultén, Öyvind Fahlström, Leo Reis, Bo Jonsson, and Åke Karlung.

Visual Culture: What is visual culture studies?
  • Language: en
  • Pages: 448

Visual Culture: What is visual culture studies?

These texts represent both the formation of visual culture, and the ways in which it has transformed, and continues to transform, our understanding and experience of the world as a visual domain.

Encyclopedia of Early Cinema
  • Language: en
  • Pages: 824

Encyclopedia of Early Cinema

One-volume reference work on the first twenty-five years of the cinema's international emergence from the early 1890s to the mid-1910s.

European Cinema
  • Language: en
  • Pages: 567

European Cinema

'European Cinema in Crisis' examines the conflicting terminologies that have dominated the discussion of the future of European film-making. It takes a fresh look at the ideological agendas, from 'avante-garde cinema' to the high/low culture debate and the fate of popular European cinema.

A History of the French New Wave Cinema
  • Language: en
  • Pages: 442

A History of the French New Wave Cinema

The French New Wave cinema is arguably the most fascinating of all film movements, famous for its exuberance, daring, and avant-garde techniques. A History of the French New Wave Cinema offers a fresh look at the social, economic, and aesthetic mechanisms that shaped French film in the 1950s, as well as detailed studies of the most important New Wave movies of the late 1950s and early 1960s. Richard Neupert first tracks the precursors to New Wave cinema, showing how they provided blueprints for those who would follow. He then demonstrates that it was a core group of critics-turned-directors from the magazine Cahiers du Cinéma—especially François Truffaut, Claude Chabrol, and Jean-Luc God...

The Concise Routledge Encyclopedia of the Documentary Film
  • Language: en
  • Pages: 1104

The Concise Routledge Encyclopedia of the Documentary Film

  • Type: Book
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  • Published: 2013
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  • Publisher: Routledge

This reference work explores the history of the documentary film. It discusses individual films and filmmakers; examines national and regional filmmaking traditions; elaborates on production companies, organizations, festivals, and institutions; explores themes, issues, and representations; and describes various styles, techniques, and technical issues.