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An examination of female same-sex desire in Chaucer and medieval romance.
A Companion to the Flavian Age of Imperial Rome provides a systematic and comprehensive examination of the political, economic, social, and cultural nuances of the Flavian Age (69–96 CE). Includes contributions from over two dozen Classical Studies scholars organized into six thematic sections Illustrates how economic, social, and cultural forces interacted to create a variety of social worlds within a composite Roman empire Concludes with a series of appendices that provide detailed chronological and demographic information and an extensive glossary of terms Examines the Flavian Age more broadly and inclusively than ever before incorporating coverage of often neglected groups, such as women and non-Romans within the Empire
This cutting-edge collection of essays offers provocative studies of ancient history, literature, gender identifications and roles, and subsequent interpretations of the republican and imperial Roman past. The prose and poetry of Cicero and Petronius, Lucretius, Virgil, and Ovid receive fresh interpretations; pagan and Christian texts are re-examined from feminist and imaginative perspectives; genres of epic, didactic, and tragedy are re-examined; and subsequent uses and re-uses of the ancient heritage are probed with new attention: Shakespeare, Nineteenth Century American theater, and contemporary productions involving prisoners and veterans. Comprising nineteen essays collectively honoring the feminist Classical scholar Judith Hallett, this book will interest the Classical scholar, the ancient historian, the student of Reception Studies, and feminists interested in all periods. The authors from the United States, Britain, France and Switzerland are authorities in one or more of these fields and chapters range from the late Republic to the late Empire to the present.
Scholars have long noted the strikingly visual aspects of Statius’ poetry. This book advances our understanding of how these visual aspects work through intertextual analysis. In the Thebaid, for instance, Statius repeatedly presents “visual narratives” in the form of linked descriptive (or ekphrastic) passages. These narratives are subject to multiple forms visual interpretation inflected by the intertextual background. Similarly, the Achilleid activates particularly Roman conceptions of masculinity through repeated evocations of Achilles’ blush. The Silvae offer a diversity of modes of viewing that evoke Roman conceptions of gender and class.
Roman imperial epic is enjoying a moment in the sun in the twenty-first century, as Lucan, Valerius Flaccus, Statius, and Silius Italicus have all been the subject of a remarkable increase in scholarly attention and appreciation. Lucan and Flavian epic characterizes and historicizes that moment, showing how the qualities of the poems and the histories of their receptions have brought about the kind of analysis and attention they are now receiving. Serving both experienced scholars of the poems and students interested in them for the first time, this book offers a new perspective on current and future directions in scholarship.
The book lays bare the narrative form of Silius’ text. It focuses on the phenomenon of ambiguity due to the epic’s constant oscillation between fact and fiction, highlighting Roman triumph in defeat and defeat through triumph.
The uses and effects of repetition, imitation, and appropriation in Latin epic poetry.
"Nemo Non Metuit": Magic in the Roman World has the ambitious goal of discussing some of the fundamental themes in the development of the idea of magic, in all its facets, in the long chronological span of the Roman world, between the 8th century BCE and the 5th century CE. At the same time, this volume is the result of a team effort that has brought together both accomplished scholars and young researchers at the beginning of their scholarly careers. Altogether, this ample work is the result of a synergy that brought together different approaches to the study of Roman magic. The broad content of this volume includes studies on magical gems of Etruscan, Greek and Phoenician background; curse...
»Es gibt kein Oben und kein Unten. Kein Hell und Dunkel. Kein Gestern und Morgen. Es gibt nur das Hier und Jetzt und es wird mit jeder verdammten Sekunde intensiver.« Tanzen kann den Schmerz in der Seele für einen Augenblick zum Schweigen bringen. Niemand weiß das besser als Roxy. Nach der unschönen Trennung von ihrem Freund kann sie nicht nur im Tanzstudio durchatmen, sondern auch in Coles Gegenwart. Der Drummer der Rockband Whipe Up übt eine Anziehung auf sie aus, der sie sich nicht entziehen kann. Cole jedoch hat Regeln und die wichtigste ist, dass niemals Gefühle ins Spiel kommen dürfen. Dumm nur, dass Roxy jede einzelne aushebelt. Gerade als Cole bereit ist, seine Schatten zu bekämpfen, wird er stärker denn je mit ihnen konfrontiert. Er muss eine Entscheidung treffen, die Roxy unweigerlich zerstören wird.
Book 9 of Silius Italicus' first-century Latin epic poem Punica begins the narrative of the Battle of Cannae (August 216 BC). This book is an integral part of the epic's three-book movement that narrates one of the largest battles in Roman history. It opens with the dispute between the consuls Paulus and Varro over giving battle, in the face of hostile omens and Hannibal's record of successful combat. On the eve of the battle, the Roman soldier Solymus accidentally kills his father Satricus, thereby presenting an omen of disaster for the Roman army. After Hannibal and Varro encourage their troops, the initial phase of the battle commences. The gods descend to the battlefield, and Mars and Mi...