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"2022 marked the 100th anniversary of the publication of James Joyce's Ulysses. This book is a celebration of Joyce's text and of the aspects that make his masterpiece timeless. The volume is structured under the inspiration of Brancusi's spiral image, "Symbol of James Joyce". It shows Joyce's play in two movements: a centripetal move towards unity, using myth, analogies and correspondences and a centrifugal force, with a cunning mixture of irony and unanticipated turns, where the dream of unity is shattered and the text resonates in multiple directions, manifesting its diversity through forms of duplicity and double coding. The double spiral movement of Joyce's novel is aimed at contrasting...
Comparative Literature - Interdisciplinary Considerations is a wide-ranging exploration of various aspects of comparative literature and cultural phenomena from different angles. The authors delve into intriguing topics such as literary tourism, biofiction, colonial/postcolonial literature, suspense in literature, and the interaction between different artistic mediums. For instance, the analysis of Gabriel García Márquez’s works sheds light on the genres of magic realism and the Latin American boom, as well as how his literature influences literary tourism experiences. Another example is the study of Anna Enquist’s work, which showcases the genre of biofiction and examines the complex ...
Do brains create material reality in thinking processes or is it the other way around, with things shaping the mind? Where is the location of meaning-making? How do neural networks become established by means of multimodal pattern replications, and how are they involved in conceptualization? How are resonance textures within cellular entities extended in the body and the mind by means of mirroring processes? In which ways do they correlate to consciousness and self-consciousness? Is it possible to explain out-of-awareness unconscious processes? What holds together the relationship between experiential reality, bodily processes like memory, reason, or imagination, and sign-systems and simulation structures like metaphor and metonymy visible in human language? This volume attempts to answer some of these questions.
The Intermediality of Contemporary Visual Arts explores a range of topics within the field. The volume delves into the realm of intermediality within the visual arts. Each chapter explores a different aspect; from the evolution of Intermedial Studies over the past decades to the shifts in print typography and the emergence of “cut-ups” within a context of resistance against conventions, the concept of Visual Music and its relation to pioneering filmmaking, visual representations of intimacy as they evolve from painting to other visual formats like comics, film, and television, and finally the transmedial potential of cultural symbols in virtual reality, all of which involve greater multimodal and emotional elements that enhance audience immersion. The volume closes by highlighting the need for a comprehensive approach to visual art education and pedagogical methods that foster creativity, emphasizing the intermedial aspects present in contemporary visual arts.
This handbook provides an extensive overview of traditional and emerging research areas within the field of intermediality studies, understood broadly as the study of interrelations among all forms of communicative media types, including transmedial phenomena. Section I offers accounts of the development of the field of intermediality - its histories, theories and methods. Section II and III then explore intermedial facets of communication from ancient times until the 21st century, with discussion on a wide range of cultural and geographical settings, media types, and topics, by contributors from a diverse set of disciplines. It concludes in Section IV with an emphasis on urgent societal issues that an intermedial perspective might help understand.
This is a unique and groundbreaking collection of questions and answers coming from higher education institutions on diverse fields and across a wide spectrum of countries and cultures. It creates routes for further innovation, collaboration amidst the Sciences (both Natural and Social) and the Humanities and the private and the public sectors of society. The chapters speak across socio-cultural concerns, education, welfare and artistic sectors under the common desire for direct responses in more effective ways by means of interaction across societal structures.
Addressing the relationship between law and the visual, this book examines the importance of photography in Central, East, and Southeast European show trials. The dispensation of justice during communist rule in Albania, East Germany, and Poland was reliant on legal propaganda, making the visual a fundamental part of the legitimacy of the law. Analysing photographs of trials, this book examines how this message was conveyed to audiences watching and participating in the spectacle of show trials. The book traces how this use of the visual was exported from the Soviet Union and imposed upon its satellite states in the immediate aftermath of the Second World War. It shows how the legal actors a...
German colonial history in today Tanzania Mainlad is extensively documented, but it has not been studied from its memory perspective despite it being widely remembered among the Tanzanians. This book documents German colonial memories as shared cultural legacy that exists in forms of monuments, archives and historical sites. It also presents them as trans-generational memory narratives that live in people's memories that are also commemorated in different ways like erection of war monuments. The book analyzes memories of colonialism from the historical perspective, showing how the collective memories like monuments and commemorations have undergone structural and institutional changes over time. The study uses Michael Rothberg's multi-directional theory, together with other theoretical approaches to analyze various forms of German colonial memories in Tanzanian context. The findings, which are analyzed historically, indicate that the collective memories of the Germans are cultural, communicative, commemorative, functional and topographical. They are also traumatic as well as nostalgic.
Considered to be one of America’s great intellectuals, Thoreau was deeply engaged in some of the most important social debates of his day including slavery, the emergence of consumerism, the American Dream, living on the frontier, the role of the government and the ecological mind. As testimony to Thoreau’s remarkable intellectual heritage, his autobiography, essays and poetry still continue to inspire and attract readers from across the globe. As a celebration of H.D. Thoreau’s Bicentenary (1817-1862), this edited volume offers a re-reading of his works and reconsiders the influence that his transcendentalist philosophy has had on American culture and literature. Taking an intertextua...
The age of digital culture has not only brought significant transformations in how we perceive memory, history, and heritage, but it has also raised pressing questions about authenticity and ownership of memory. The role of digital technologies in shaping collective identities is a topic of intense scrutiny. Moreover, contemporary societies grapple with complex issues in the politics of memory, especially with the proliferation of diverse narratives and the manipulation of public spaces. The book's content is therefore highly relevant, offering critical reflection and scholarly analysis to these societal challenges. Performativity and the Representation of Memory: Resignification, Appropriat...