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Refugees in an Age of Genocide
This is a study of the history of global refugee movements over the 20th century, ranging from east European Jews fleeing Tsarist oppression at the turn of the century to asylum seekers from the former Zaire and Yugoslavia. Recognizing that the problem of refugees is a universal one, the authors emphasize the human element which should be at the forefront of both the study of refugees and responses to them.
Facing the Late Victorians
It examines, too, the portrait as a marker both of celebrity and of modernity, in an age that ushered in the present by defining itself through advertising, public relations, and commodification."--BOOK JACKET.
If My Table Could Talk
For hundreds of years the table has taken central place from cottage to palace, drawing around it families and friends to enjoy sustenance and conversation. Only in the present day has its dominance of the domestic scene declined due to the intrusion of television and the break up of traditional family life. Michael Wynne-Parkers life is full of interesting people some of whom are the main characters in this fascinating book. And they have a just one thing in common - they all sat, at least once, round his table - including such diverse personalities as Victor, 6th Marquess of Bristol, Hammond Innes, Brian Rix, Margaret Thatcher, Princess Katarina of Yugoslavia, Dai Llewellyn and Jim Davidson. Famous names mingle with lesser known, but by no means less interesting, friends, each with a story or more to tell. Actors, soldiers, priests, poets, artists, politicians join with singers, writers, sportsmen, beautiful women and royalty. Some are witty, some amusing, some profound - all with their own story to tell. Their stories offer a glimpse into worlds of wealth, glamour, power and creativity. Throughout, however, a slowly emerging question arises - Is there a significance in events?
Port Jews
The history of Jews in cosmopolitan maritime trading centres is a field of research that is reshaping our understanding of how Jews entered the modern world. These studies show that the utility of Jewish merchants in an era of European expansion was vital to their acculturation and assimilation.
A Private Passion
"For the Winthrop collection's international debut exhibition, curators at the Fogg Art Museum of the Harvard University Art Museums, headed by Stephan Wolohojian, organized the selection and invited more than sixty specialists to write on artworks in their particular area of expertise. Works include such highlights in their creator's oeuvre as Jacques-Louis David's sketchbooks for The Coronation of Napoleon and the Crowning of Josephine, Theodore Gericault's Mutiny on the Raft of the Medusa, Vincent van Gogh's The Blue Cart, Jean-Auguste-Dominique Ingres's Odalisque with the Slave, William Blake's illustrations for the Divine Comedy, Dante Gabriel Rosetti's Blessed Damozel, and James Abbott McNeill Whistler's Nocturne in Blue and Silver. In addition, an essay by Wolohojian provides a fascinating and informative description of Winthrop and the growth of his collection."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Comparability in Social Research
Originally published in 1969, Comparability in Social Research is a collection of essays from the British Sociological Association and Social Science Research Council. The essays are the result of a working group from the British Sociological Association, and a response to the need for the development of sociological theory as a scientific discipline. The essays examine the comparability of data assembled by research, in several sociological fields. This edited collection includes essays on the topic of education, family and household, income and occupation.
Richard Wagner and the Art of the Avant-Garde, 1860-1910
This book explores the responses of leading European avant-garde painters to the operas of Richard Wagner, the most influential composer of the late nineteenth century. The term avant-garde represents a twenty-first century evaluation of certain nineteenth-century artists working in a variety of advanced styles, rather than a phrase the artists applied to themselves. Chapters are on individual artists or groups, rather than an attempt to survey all of nineteenth-century Wagnerian visual art. They deal with paintings and drawings inspired by Wagner and his operas, not with the composer’s larger cultural influence through his writings and personal example. Thus artists such as Vincent Van Go...
The Sectarian Spirit
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