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A Private Passion
"For the Winthrop collection's international debut exhibition, curators at the Fogg Art Museum of the Harvard University Art Museums, headed by Stephan Wolohojian, organized the selection and invited more than sixty specialists to write on artworks in their particular area of expertise. Works include such highlights in their creator's oeuvre as Jacques-Louis David's sketchbooks for The Coronation of Napoleon and the Crowning of Josephine, Theodore Gericault's Mutiny on the Raft of the Medusa, Vincent van Gogh's The Blue Cart, Jean-Auguste-Dominique Ingres's Odalisque with the Slave, William Blake's illustrations for the Divine Comedy, Dante Gabriel Rosetti's Blessed Damozel, and James Abbott McNeill Whistler's Nocturne in Blue and Silver. In addition, an essay by Wolohojian provides a fascinating and informative description of Winthrop and the growth of his collection."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
A Private Passion
Grenville L. Winthrop (1864{u2013}1943) was a lawyer and banker by profession, but his true passion was collecting art. He had the resources, the intuition, and talented advisers to help him create a collection that is distinct not only in its depth and breadth, but also in its quality. This catalogue features paintings, drawings, and watercolors by more than fifty French, British, and American artists from the legendary Winthrop Collection, bequeathed in 1943 to the Fogg Art Museum at Harvard University. Included are masterpieces by French artists David, Ingres, Gericault, Chassériau, and Moreau; British artists Blake, Rossetti, and Burne-Jones; and American masters Homer, Sargent, and Whistler. They works are discussed by more than sixty authors, all of whom are among the leading authorities in their various fields. -- Metropolitan Museum of Art website.
Degas at Harvard
This volume is a catalog published in conjunction with a 2005 exhibition organized by the Harvard University Art Museums. Co-author Cohn offers a historical account of the unusually deep collection of Degas's works at the Fogg (it's one of the most important in the United States); and art historian Boggs writes of her experiences as a student (beginning in 1944) with Paul J. Sachs, Degas's champion at the Fogg and the man who inspired her own and many others' scholarship. The catalog contains 53 color and 41 b & w plates showcasing the museum's paintings, drawings, prints, photographs, and sculptures.
A Grand Tableau Charles Le Brun’s Portrait of the Jabach Family
Few things are more exciting than the rediscovery of a lost but storied work of art. This Bulletin examines Charles Le Brun’s spectacular Everhard Jabach (1618–1695) and His Family, a landmark of Western portraiture that was long thought destroyed—known only from photographs taken before World War II—when it was found hanging in an English country house, where it had languished for more than a century prior to its acquisition by The Met. The authors tease out the many secrets bound up in Le Brun’s canvas and its extraordinary sitter, who was one of the greatest art collectors of seventeenth-century Europe.
Manet/Degas
Friends, rivals, and at times antagonists, Édouard Manet and Edgar Degas maintained a pictorial dialogue throughout their lives as they both worked to define the painting of modern urban life. Manet/Degas, the first book to consider their careers in parallel, investigates how their objectives overlapped, diverged, and shaped each other’s artistic choices. Enlivened by archival correspondence and records of firsthand accounts, essays by American and French scholars take a fresh look at the artists’ family relationships, literary friendships, and interconnected social and intellectual circles in Paris; explore their complex depictions of race and class; discuss their political views in th...
New York Night
Who among us cannot testify to the possibilities of the night? To the mysterious, shadowed intersections of music, smoke, money, alcohol, desire, and dream? The hours between dusk and dawn are when we are most urgently free, when high meets low, when tongues wag, when wallets loosen, when uptown, downtown, rich, poor, black, white, gay, straight, male, and female so often chance upon one another. Night is when we are more likely to carouse, fornicate, fall in love, murder, or ourselves fall prey. And if there is one place where the grandness, danger, and enchantment of night have been lived more than anywhere else -- lived in fact for over 350 years -- it is, of course, New York City. From g...
A Grand Tableau
Contains three essay concerning the painting "Everhard Jabach and His Family" by Charles Le Brun.
Harvard Art Museum Handbook
With some 280,000 objects, the Harvard Art Museum is the largest university art museum in the United States. This first handbook of the collections surveys their full scope, from early-Egyptian bronzes and Chinese ceramics to contemporary paintings and prints.
The Wrightsman Pictures
This lavish catalogue presents 150 European paintings, pastels, and drawings from the late fifteenth to the mid-nineteenth century that have been given to the Metropolitan Museum by Mr. and Mrs. Charles Wrightsman or are still held in Mrs. Wrightsman's private collection. These notable works were collected over the past four decades, many of them with the Museum in mind; some were purchased by the Museum through the Wrightsman Fund. Highlights of the book include masterpieces by Vermeer, El Greco, Rubens, Van Dyck, Georges de La Tour, Jacques-Louis David, and Caspar David Friedrich as well as numerous paintings by the eighteenth-century Venetian artists Canaletto, Guardi, and the Tiepolos, father and son, plus a dozen remarkable portrait drawings by Ingres. Each work is reproduced in color and is accompanied by a short essay.
