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Don't look now, but...what dramatic form would you expect the French to impose on English history? Bedroom farce, of course. Good Queen Anne and the Churchills, Winston's ancestors, are here in Eugene Scribe's nineteenth-century classic, riding high as the Duke and Duchess of Marlborough. While the Duke is struggling against the armies of Louis XIV, the Duchess is trying to inveigle Abigail Churchill's beau into bed, not knowing the girlish Queen wants him too. It's a perfect opportunity for the wily politician Bolingbroke. As seen through French eyes, these English historical characters would never recognize themselves. In fact, they'd be shocked!
Jon Stewart's study is a major re-evaluation of the complex relations between the philosophies of Kierkegaard and Hegel. The standard view on the subject is that Kierkegaard defined himself as explicitly anti-Hegelian, indeed that he viewed Hegel's philosophy with disdain. Jon Stewart shows convincingly that Kierkegaard's criticism was not of Hegel but of a number of contemporary Danish Hegelians. Kierkegaard's own view of Hegel was in fact much more positive to the point where he was directly influenced by some of Hegel's work. Any scholar working in the tradition of Continental philosophy will find this an insightful and provocative book with implications for the subsequent history of philosophy in the twentieth century. The book will also appeal to scholars in religious studies and the history of ideas.
In Scribe's Le Puff (1848) - translated here as Believe It or Not - an honourable cavalry officer returns to Paris after five years abroad to find his countrymen happily addicted to exaggeration, dissimulation and downright lying. Can he find happiness and keep his integrity in a world where nothing is what it seems? The enduring qualities of Scribe's work - the complex yet elegant plotting, the quirky characters, the sharply-written dialogue - are all very much in evidence, as with bouyant cynicism he skewers the worlds of letters, finance and politics. Features a foreword from critic Nicholas Dromgoole.
Popular American essayist, novelist, and journalist CHARLES DUDLEY WARNER (1829-1900) was renowned for the warmth and intimacy of his writing, which encompassed travelogue, biography and autobiography, fiction, and more, and influenced entire generations of his fellow writers. Here, the prolific writer turned editor for his final grand work, a splendid survey of global literature, classic and modern, and it's not too much to suggest that if his friend and colleague Mark Twain-who stole Warner's quip about how "everybody complains about the weather, but nobody does anything about it"-had assembled this set, it would still be hailed today as one of the great achievements of the book world. Highlights from Volume 33 include: . the poetry of Johann Christoph Friedrich Schiller . the writings of Arthur Schopenhauer . the biographies of Carl Schurz . excerpts from Sir Walter Scott's Ivanhoe, The Lady of the Lake, and others . the philosophy of Seneca . the letters of Madame de Svign . excerpts from the plays of William Shakespeare . and much, much more.