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Beware the Stranger
The stranger (survenant) represents an important theme in Quebec literature of the second half of the twentieth century. This book analyses the role of the survenant in five major novels dating from 1945 to 1992 and shows how the theme is constantly reworked and revitalised by the authors selected. The arrival of a survenant in a community brings to the surface the conflicts and tensions which had been latent. The consequences can be tragic for all concerned. At the least the community is changed forever. This is the first study of the way in which different Quebecois authors treat the survenant and should be of interest to all students of Quebec literature and culture.
The Making of the Nations and Cultures of the New World
Between the sixteenth and nineteenth centuries the Americas, Australia, and New Zealand emerged as nations. Through conquest and violent appropriation, European immigrants settled these lands and soon developed a sense of belonging, most potently expressed in identity, memory, and the belief in utopias. Many of these new collectivities or founding nations succeeded in breaking their colonial links to achieve political and cultural emancipation from their European mother country. The Making of the Nations and Cultures of the New World explores the question of how a culture - a collective imaginary - is born. Gérard Bouchard compares the historical itineraries of New World collectivities, which were driven by a dream of freedom and sovereignty, and finds major differences as well as striking commonalities in their formation and evolution. He also considers the myths and discursive strategies devised by the elites to unite and mobilize very diversified populations. The first English translation of Genèse des nations et cultures du Nouveau Monde, winner of a Governor General's Literary Award.in 2000, this acclaimed book provides important insights for contemporary nations in crisis.
Certain Difficulty of Being
In the Preface to A Certain Difficulty of Being Purdy examines the kinds of discourse that deal with the novel in some nineteenth-century Quebec novel prefaces, thereby revealing a theme of generic denegation in the sense of "This is not a novel." Purdy goes on to explore the transition from epic to novel in Félix-Antoine Savard's Menaud, maître-draveur; the contradictions stemming from the use of a first-person, present-tense narrative in André Langevin's Poussière sur la ville; the problem of narrativity and history as it is raised in Hubert Aquin's Prochain épisode; and the way in which narrative voice functions in Anne Hébert's Kamouraska. He also touches on the current debate conc...
Nationalism and Literature
Sarah Corse's analysis of nearly two hundred American and Canadian novels offers a theory of national literatures. Demonstrating that national canon formation occurs in tandem with nation-building, and that canonical novels play a symbolic role in this, this 1996 book accounts for cross-national literary differences, addresses issues of mediation and representation in theories of 'reflection', and illuminates the historically constructed nature of the relationship between literature and the nation-state.
French Twentieth Bibliography
This series of bibliographical references is one of the most important tools for research in modern and contemporary French literature. No other bibliography represents the scholarly activities and publications of these fields as completely.
On the Margins
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Regenerations / Régénérations
Buttressed by a wealth of new, collaborative research methods and technologies, the contributors of this collection examine women's writing in Canada, past and present, with 11 essays in English and 5 in French. Regenerations was born out of the inaugural conference of the Canadian Writing Research Collaboratory held at the Canadian Literature Centre, University of Alberta, and exemplifies the progress of radically interdisciplinary research, collaboration, and publishing efforts surrounding Canadian women's writing. Researchers and students interested in Canadian literature, Québec literature, women's writing, literary history, feminist theory, and digital humanities scholarship should definitely acquaint themselves with this work. Contributors: Nicole Brossard, Susan Brown, Marie Carrière, Patricia Demers, Louise Dennys, Cinda Gault, Lucie Hotte, Dean Irvine, Gary Kelly, Shauna Lancit, Mary McDonald-Rissanen, Lindsey McMaster, Mary-Jo Romaniuk, Julie Roy, Susan Rudy, Chantal Savoie, Maïté Snauwaert, Rosemary Sullivan, and Sheena Wilson.
Black Robes and Buckskin
The Jesuits approached the task of converting the native peoples, and the formidable obstacles it implied, in a flexible manner. One of their central values was "inculturation," the idea of "coming in by their door," to quote a favorite saying of Ignatius, via a creative process of syncretism that blended aspects of native belief with aspects of Christian faith, in order to facilitate understanding and acceptance. The Relations thus abound with examples of the Jesuits' thoughtfully trying to make sense of native---and female---difference, rather than eliding it. --
Canadian Science Fiction, Fantasy, and Horror
Canadian Science Fiction, Fantasy, and Horror: Bridging the Solitudes exposes the limitations of the solitudes concept so often applied uncritically to the Canadian experience. This volume examines Canadian and Québécois literature of the fantastic across its genres—such as science fiction, fantasy, horror, indigenous futurism, and others—and considers how its interrogation of colonialism, nationalism, race, and gender works to bridge multiple solitudes. Utilizing a transnational lens, this volume reveals how the fantastic is ready-made for exploring, in non-literal terms, the complex and problematic nature of intercultural engagement.
The Farm Novel in North America
Provides the first history of the North American farm novel, a genre which includes John Steinbeck's The Grapes of Wrath, Sheila Watson's The Double Hook, and Louis Hémon's Maria Chapdelaine. From John Steinbeck's The Grapes of Wrath and Martha Ostenso's Wild Geese to Louis Hémon's Maria Chapdelaine, some of the most famous works of American, English Canadian, and French Canadian literature belongto the genre of the farm novel. In this volume, Florian Freitag provides the first history of the genre in North America from its beginnings in the middle of the nineteenth century to its apogee in French Canada around the middleof the twentieth. Through surveys and selected detailed analyses of a...
