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"American Impressionist: Childe Hassam and the Isles of Shoals traces Hassam's artistic exploration of Appledore Island, the largest island of the Isles of Shoals off the coast of Maine and New Hampshire, where he traveled nearly every summer for thirty years"--
"Organized by the Peabody Essex Museum and Crystal Bridges Museum of American Art"--Page 232
This generously illustrated book explores the connections between Thomas Hart Benton’s art and Hollywood movies from groundbreaking perspectives. Thomas Hart Benton was a thoroughly American artist. His regionally focused paintings and murals depicted everyday American life as well as the country’s history. This volume focuses on one of the most American of Benton’s associations: Hollywood. Not only did Benton create commissioned murals and portraits of film stars and movies, but he also developed a style that was highly theatrical and narrative. This volume is the first to collect all the works conceived by Benton for the film industry. It includes related ephemera, photographs, and d...
"This book is published on the occasion of the exhibition Jacob Lawrence: The American Struggle organized by the Peabody Essex Museum, Salem, Massachusetts."
A fascinating and novel exploration of the transformative role played by the American West in the development of modernism in the United States Drawing extensively from various disciplines including ethnology, geography, geology, and environmental studies, this groundbreaking book addresses shifting concepts of time, history, and landscape in relation to the work of pioneering American artists during the first half of the 20th century. Paintings, watercolors, and photographs by renowned artists such as Frederic Remington, Georgia O'Keeffe, Ansel Adams, Thomas Hart Benton, Dorothea Lange, and Jackson Pollock are considered alongside American Indian ledger drawings, tempuras, and Dineh sandpai...
The first comprehensive examination of California''s mid-century modern design, generously illustrated. In 1951, designer Greta Magnusson Grossman observed that California design was "not a superimposed style, but an answer to present conditions.... It has developed out of our own preferences for living in a modern way." California design influenced the material culture of the entire country, in everything from architecture to fashion. This generously illustrated book, which accompanies a major exhibition at the Los Angeles County Museum of Art, is the first comprehensive examination of California''s mid-century modern design. It begins by tracing the origins of a distinctively California mo...
Who are the People of New Zealand in the 21st Century? This diverse bunch of characters is easily recognisable and hilariously familiar. Sam Moore's Instagram account and Facebook page Ugly Ink went viral when he started posting images of classic Kiwi stereotypes. They're characters that every New Zealander can relate to, including everyone's gran 'Helpful Beryl', dress code-breaker 'Wedding Kane', the forever helpful 'Office Jan', and rugged 'Hilux Surf Drew' among others. Sam's humour in these images gently and affectionately pokes fun at Kiwi culture, providing many snorts of recognition.
This multidisciplinary book offers the first broad ecocritical review of American art and examines the environmental contexts of artistic practice from the colonial period to the present day. Tracing how visions of the environment have changed from the Native-European encounter to the emergence of modern ecological activism, more than a dozen scholars and practitioners discuss how artists have both responded to and actively instigated changes in ecological understanding.
Art for a New Understanding, an exhibition from Crystal Bridges Museum of American Art that opened in October 2018, seeks to radically expand and reposition the narrative of American art since 1950 by charting a history of the development of contemporary Indigenous art from the United States and Canada, beginning when artists moved from more regionally-based conversations and practices to national and international contemporary art contexts. This fully illustrated volume includes essays by art historians and historians and reflections by the artists included in the collection. Also included are key contemporary writings—from the 1950s onward—by artists, scholars, and critics, investigati...
Chairs of the Queen Anne and Chippendale period (1730-1795), really one continuous development without a break, have been chosen since this form shows the many facets of a gradual development, is easily handled, and is available in quantity. In order not to prejudge where the chairs were made, they were first grouped solely according to similar means of construction and design. Only after groups of like objects were formed was attention paid to their histories, labels, and similar documentation, Happily, when analyzed, enough of this secondary information was found associated with each group to provide the knowledge as to where they originated. -- pg. 4.