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A deafblind writer and professor explores how the misrepresentation of disability in books, movies, and TV harms both the disabled community and everyone else. As a deafblind woman with partial vision in one eye and bilateral hearing aids, Elsa Sjunneson lives at the crossroads of blindness and sight, hearing and deafness—much to the confusion of the world around her. While she cannot see well enough to operate without a guide dog or cane, she can see enough to know when someone is reacting to the visible signs of her blindness and can hear when they’re whispering behind her back. And she certainly knows how wrong our one-size-fits-all definitions of disability can be. As a media studies professor, she’s also seen the full range of blind and deaf portrayals on film, and here she deconstructs their impact, following common tropes through horror, romance, and everything in between. Part memoir, part cultural criticism, part history of the deafblind experience, Being Seen explores how our cultural concept of disability is more myth than fact, and the damage it does to us all.
**The international bestseller and the book behind the film and play Let Me In** The novel behind the Paramount+ UK series Let the Right One In 'The new Stephen King' The Times Oskar and Eli. In very different ways, they were both victims. Which is why, against the odds, they became friends. And how they came to depend on one another, for life itself. Oskar is a 12-year-old boy living with his mother on a dreary housing estate at the city's edge. He dreams about his absentee father, gets bullied at school, and wets himself when he's frightened. Eli is the young girl who moves in next door. She doesn't go to school and never leaves the flat by day. She is a 200-year-old vampire, forever frozen in childhood, and condemned to live on a diet of fresh blood. John Ajvide Lindqvist's novel, a huge bestseller in his native Sweden, is a unique and brilliant fusion of social novel and vampire legend. And a deeply moving fable about rejection, friendship and loyalty.
Astronomy-loving Calliope June has Tourette syndrome, so she sometimes makes faces or noises that she doesn't mean to make. When she and her mother move yet again, she tries to hide her TS. But it isn't long before the kids at her new school realize she's different. Only Calliope's neighbor, who is also the popular student body president, sees her as she truly is--an interesting person and a good friend. But is he brave enough to take their friendship public? As Calliope navigates school, she must also face her mother's new relationship and the fact that they might be moving--again--just as she starts to make friends and finally accept her differences. Ellie Terry's affecting debut will speak to a wide audience about being true to oneself.
Over 2.5 million copies sold ‘Funny, touching and unpredictable’ Jojo Moyes ‘Heartwrenching and wonderful’ Nina Stibbe Winner of Costa First Novel Award, a No.1 Sunday Times bestseller and the Book of the Year
Set in the final days before a shocking tragedy forces an elite boarding school to shut its doors for good, Ellie Eaton's The Divines is a razor-sharp debut that asks the question: were you really as good as you remember? I am Divine. My mother was Divine and her mother before that, which isn't uncommon. Although that was at a time when being Divine meant something . . . The girls of elite English boarding school, St. John the Divine, were notorious for flipping their hair, harassing teachers, chasing boys and chain-smoking cigarettes. They were fiercely loyal, sharp-tongued, and cutting in the way that only teenage girls can be. But for Josephine, now in her thirties, her time at St. John f...