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Practical Authorship
  • Language: en

Practical Authorship

  • Type: Book
  • -
  • Published: 1917
  • -
  • Publisher: Unknown

None

A Practical Guide to Software Licensing for Licensees and Licensors
  • Language: en
  • Pages: 670

A Practical Guide to Software Licensing for Licensees and Licensors

This new Second Edition updates its first edition published in 2005 by examining the fundamental issues that both licensors and licensees confront in the negotiation of a software license. This resource is accompanied by and cross-referenced to an annotated software license. A detailed index and companion CD-ROM is also included for customization of the software license and related forms.

Practical Authorship
  • Language: en
  • Pages: 168

Practical Authorship

  • Type: Book
  • -
  • Published: 1905
  • -
  • Publisher: Unknown

None

Author, Reader, Book
  • Language: en
  • Pages: 321

Author, Reader, Book

Incorporating several kinds of scholarship on medieval authorship, the essays examine interrelated questions raised by the relationship between an author and a reader, the relationships between authors and their antecedents, and the ways in which authorship interacts with the physical presentation of texts in books.

The teaching, practice, and literature of shorthand. [With] Additions
  • Language: en
  • Pages: 178

The teaching, practice, and literature of shorthand. [With] Additions

  • Type: Book
  • -
  • Published: 1884
  • -
  • Publisher: Unknown

None

A Theory of Practical Reason
  • Language: en
  • Pages: 293

A Theory of Practical Reason

In this book, German philosopher Julian Nida-Rümelin presents a theory of practical reason that is objectivist, or rather realist, as an alternative to the widespread subjectivism in the theory of rationality. This theory has pragmatic traits that can be read as a constructive counterpart to Nida-Rümelin's critique of consequentialism whilst embedding its conception of rationality in the conceptual framework of decision and game theory.

Ethics in Engineering Practice and Research
  • Language: en
  • Pages: 439

Ethics in Engineering Practice and Research

The first edition of Caroline Whitbeck's Ethics in Engineering Practice and Research focused on the difficult ethical problems engineers encounter in their practice and in research. In many ways, these problems are like design problems: they are complex, often ill defined; resolving them involves an iterative process of analysis and synthesis; and there can be more than one acceptable solution. In the second edition of this text, Dr Whitbeck goes above and beyond by featuring more real-life problems, stating recent scenarios and laying the foundation of ethical concepts and reasoning. This book offers a real-world, problem-centered approach to engineering ethics, using a rich collection of open-ended case studies to develop skill in recognizing and addressing ethical issues.

Stealing Into Print
  • Language: en
  • Pages: 303

Stealing Into Print

False data published by a psychologist influence policies for treating the mentally retarded. A Nobel Prize-winning molecular biologist resigns the presidency of Rockefeller University in the wake of a scandal involving a co-author accused of fabricating data. A university investigating committee declares that almost half the published articles of a promising young radiologist are fraudulent. Incidents like these strike at the heart of the scientific enterprise and shake the confidence of a society accustomed to thinking of scientists as selfless seekers of truth. Marcel LaFollette's long-awaited book gives a penetrating examination of the world of scientific publishing in which such inciden...

Enter the Undead Author
  • Language: en
  • Pages: 173

Enter the Undead Author

  • Categories: Law

Many narratives of theater history suggest that the 1960s marked the start of a turning away from traditional, script-based, playwright-centric production practices. Literary studies in this period began exploring the concept of the “death of the author” along similar lines. But the author refused to die quietly, and authorship reasserts itself in even revolutionary and avant-garde theaters throughout the latter half of the twentieth century. The model of authorship—valorizing individuality, ownership, and originality—serves to maintain traditional modes of production that reproduce and uphold dominant ideologies even when the products created by those modes of production claim to bu...