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Poetry and Autobiography
This collection makes a critical and creative intervention into ongoing debates about the relationship between poetry and autobiography. Drawing on recent theories of life writing, the essays in the first part of this volume provide new analyses of works by a range of poets, dating from the early modern period to the present day. Exploring the autobiographical resonances of poems by Martha Moulsworth, Mina Loy, Anne Sexton, Joe Brainard, Edward Kamau Braithwaite, and Gwyneth Lewis, the authors here examine the extent to which discourses of truth and authenticity have been implicated in traditional interpretations of lyric poetry. In doing so, they endeavour to illuminate the complex intersec...
Autobiographical Poetry in England and Spain, 1950-1980
The volume traces the founding critical theories of the autobiographical genre, from the Enlightenment period to the most recent developments, which, since the Sixties and the essays of Roy Pascal and Jean Starobinski, have had a greater and greater influence. It offers – in contrast to the essential, and by now classic, definition of Philippe Lejeune – an increased effectiveness of the poem to express the narrative purposes of autobiography, recognizing poetic writing that has the extraordinary ability to say what “the mortal language does not say,” to quote Leopardi. The works of Seamus Heaney, Thom Gunn, Carlos Barral and Jaime Gil de Biedma are analyzed here, and show an unveiling of the self through memories, places and objects that often characterize them and that allow, to whomever recalls one’s own experience through writing, the recovery and restoration of essential meanings to the reconstruction not only of subjective identity, but also of one’s own community.
Heart Mind and Soul
Poetry is a window straight into an author's Heart, Mind and Soul. Journey vicariously through a writer's life in this unique volume of autobiographical poems. Experience the excitement surrounding her greatest triumphs. Suffer through incredible miseries and heart aches. Explore unbelievably profound romances. Watch her writing style develop from that of a simple carefree thirteen-year-old into the introspective thoughts of a young woman whom has faced an inordinate number of trials. You will smile, laugh, wonder, ponder, and even cry. If you love complex meaningful poetry, then this is the book for you.
After Confession
Explores how poems have been used as autobiographies throughout time.
The Rise of Autobiographical Medical Poetry and the Medical Humanities
In this fascinating book, Johanna Emeney examines the global proliferation of new poetry related to illness and medical treatment from the perspective of doctors, patients, and carers in light of the growing popularity of the medical humanities. She provides a close analysis of poetry from New Zealand, the USA, and the UK that deals with sociological and philosophical aspects of sickness, ailment, medical treatment, care, and recuperation.
Matters in My Mind
Taken from a thick blue notebook filled with the poet's handwritten reflections, memories, and imagery, Matters in My Mind is a collection of semi-autobiographical poems detailing the many moments and quests individuals face throughout a lifetime. The poems address both pleasant and painful memories, and special people, some who might be gone but still have left indelible imprints. The book poses questions to ponder in quiet moments, and delves into a myriad of topics including: -Surviving the human existence and all its dimensions-Finding love and losing it, only to find it once again -Pursuing inner peace and tranquility to remain balanced in an unbalanced world-Striving to connect with and learn from nature-Living a meaningful life while accepting the inevitability of death Each poem will spark a different response, serving as a springboard for readers to reflect on their own past experiences, current lives, and dreams for the future. Perhaps the book's readers have blue notebooks of their own....
The Prelude; Or, Growth of a Poet's Mind
The Prelude, Wordsworth's great autobiographical poem, is crucial to our understanding of his life and poetry. This epic work covers the experiences of Wordsworth's boyhood and his poetic development; his debt to literature; the awakening of his passionate interest in man; his hopes and despair for the French Revolution; his life in London and in the country, the highs and lows of his career; his relationship with his sister Dorothy and his friendship with Coleridge. Through The Prelude Wordsworth was at last free to devote his life to its true vocation and to record his gratitude for the gift which brought him that freedom. Written between 1798 and 1805, it was first published posthumously in 1850 after intensive revision in Wordsworth's later years. This volume contains the original 1805 text edited from manuscripts with a comprehensive introduction and notes.
Autobiographical Poetry in England and Spain, 1950-1980
"The volume traces the founding critical theories of the autobiographical genre, from the Enlightenment period to the most recent developments, which, since the Sixties and the essays of Roy Pascal and Jean Starobinski, have had a greater and greater influence. It offers - in contrast to the essential, and by now classic, definition of Philippe Lejeune - an increased effectiveness of the poem to express the narrative purposes of autobiography, recognizing poetic writing that has the extraordinary ability to say what "the mortal language does not say," to quote Leopardi. The works of Seamus Heaney, Thom Gunn, Carlos Barral and Jaime Gil de Biedma are analyzed here, and show an unveiling of the self through memories, places and objects that often characterize them and that allow, to whomever recalls one's own experience through writing, the recovery and restoration of essential meanings to the reconstruction not only of subjective identity, but also of one's own community."
