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The second volume in a series written by Canadian playwrights.
Marsh Hay, by Merrill Denison; The Unreasonable Act of Julian Waterman, by Ron Taylor; The Twisted Loaf & Soft Voices, by Aviva Ravel; Vicky, by Grahame Woods; The Vice President, by John Schull.
The six plays in this anthology reflect the wide spectrum of ethnic communities in Canada.
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The Library owns the volumes of the American Jewish Yearbook from 1899 - current.
"This collection explores the link between theatre and human flourishing. It interrogates both the social good of theatre and the personally restorative work of a range of live embodied performances. It brings together the disciplines of theatre (and performance studies) and psychology, especially positive psychology, to explore the social benefits of theatre: creating community, encouraging interconnection, serving as a mean to reveal and share both healing and trauma"--
The final installment of the critically acclaimed memoir series Done Hunting brings Martin HunterÍs memoirs to a close, sharing adventures and observations from his sixth to ninth decades. With descriptions of theatrical productions heÍs written and directed, it also provides a subtle commentary on Canada and its social and cultural place in the world. Done Hunting also chronicles HunterÍs experiences as a magazine and radio journalist and his unsuccessful attempts to break into film and television as a scriptwriter. Accounts of his travels in Mexico, Sweden, England, France, and Italy include fascinating encounters with Laurier LaPierre, Bill Glassco, David Earle, and Adrienne Clarkson and writers Barry Callaghan, Mavis Gallant, and Gore Vidal. His friendship with Richard Monette and peripheral involvement with the Stratford Festival, as well as his work as a philanthropist as president of the K.M. Hunter Charitable Foundation, are highlights of this fascinating and insightful self-examination.
How Canadian theatre artists are challenging traditional theatre practices and reimagining disability on stage.
Jan Rubes has been a leading performer and director on stage, film, and TV, and in concert, opera, musical comedy, and drama. With an operatic career already established, the Czechoslovakia native immigrated to Canada in 1949 and was soon the leading bass in the Canadian Opera Company. He has performed throughout Canada and the U.S. both with the company and in countless solo recitals and appearances with symphony orchestras. Rubes has done more than 100 operatic roles and has appeared in more than 70 films, including the well-remembered Witness with Harrison Ford. With his wife, Susan Douglas Rubes, he helped develop Young People’s Theatre in Toronto. A member of the Order of Canada and holder of two honourary doctorates, he has won Geminis for his film work. His life is rich in detail – he has been both a national tennis champion and an important part of the history of the performing arts in Canada.