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B. D. Amis, African American Radical
African American Communist B.D. Amis was a major figure in the black freedom struggle during the two decades between the world wars. At that time, the American Communist Party (CPUSA) played a significant role in fighting for the rights of African Americans. Amis was part of the small circle of black radicals leading the struggle for workers' rights and racial justice. This anthology of his key writings and speeches reveals the deep commitment to the working class by his generation of African American Marxists. His classics, such as 'Lynch Justice at Work' and 'They Shall Not Die , ' as well as his speech nominating William Z. Foster for president at the 1936 CPUSA Convention in Chicago, are included. This work also features important documents penned by Amis and found in the former Soviet archives and in the private holdings of the Amis Family. It also includes many of Amis' theoretical works found in international documents, such as the CPUSA's International Press Correspondence, and a selected bibliography on the research scholarship pertaining to African Americans and communism
Syntactic Recoverability of Null Arguments
In The Syntactic Recoverability of Null Arguments Roberge studies the syntactic properties of subject and object clitic pronouns in several Romance languages and dialects from the perspective of the Principles-and-Parameters framework in generative grammar. He is able to make important claims through a comparative study of various rarely discussed French dialects, Spanish dialects, and Italian, and concludes that French should be analysed as a null subject language like many others in the Romance family. Roberge's parameters are so carefully detailed as to allow tests to be drawn up for both first and second language learners. As such, The Syntactic Recoverability of Null Arguments will be of interest not only to syntacticians and dialectologists but also to researchers in the field of language acquisition.
Ghost of the Past
None
Key to the Materials for French Prose Composition
Reprint of the original, first published in 1860.
Spacetimenarrative
space.time.narrative calls for a paradigmatic shift of focus. It puts forward a unique approach, breaking down traditional barriers and offering a wide-ranging theoretical context, redefining and expanding the parameters and the dynamics of the exhibition-format in terms of an open, narrative environment, which at its roots displays deep similarities with performance on stage, or installation in urban and rural space.
Protest on the Page
Explores the intertwined histories of print and protest in the United States from Reconstruction to the 2000s. Ten essays look at how protestors of all political and religious persuasions, as well as aesthetic and ethical temperaments, have used the printed page to wage battles over free speech; test racial, class, sexual, and even culinary boundaries; and to alter the moral landscape in American life.
