Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
The Paintings of Dirck Van Baburen, Ca. 1592/93-1624
Dirck van Baburen (1592/93-1624) ranks among the most influential Dutch followers of the famous Italian painter Caravaggio. After concluding his training in his native Utrecht, Van Baburen traveled to Italy where he would remain for about eight years. The young artist enjoyed great success there, working for such major patrons as Vicenzo Giustiniani and the Spanish diplomatic representative to the Papacy, Pietro Cussida. Upon Van Baburen's return to Utrecht in late 1620, he established himself as one of that city's major painters by producing engaging work that combined innovative subject matter and appropriations of contemporary Italian art. Franits's monograph is the first major study of t...
Utrecht, Caravaggio and Europe
"What a shock it must have been for the Utrecht painters Hendrick ter Brugghen, Gerard van Honthorst and Dirck van Baburen when, in Rome, they first saw Caravaggio's breath-takingly unconventional paintings with their own eyes. Under the influence of this great, inspirational master and by exchanging ideas wih the many young artists who poured into the pulsating Italian metropolis around the year 1600, these three men of Utrecht developed their very own, distinctive style by propelling Caravaggio's radical realism to its culmination."--from back cover
JAN VAN BIJLERT.
Jan van Bijlert (1597/98-1671) is best known as one of the Utrecht Caravaggists and is often ranked with Hendrick ter Brugghen, Gerard van Honthorst and Dirck van Baburen. However, Van Bijlert is not primarily a Caravaggist painter, he is also a Classicist and a painter of 'realistic' Dutch genre scenes and portraits. He was readily inspired by new movements and developments which is reflected in a remarkable versatility in style and content as well as in quality. His inspiration comes from Dutch contemporaries such as Abraham Bloemaert and Gerard van Honthorst, from Italy (Caravaggio, Guido Reni, Orazio Gentileschi) and France (Simon Vouet). The Introduction positions Van Bijlert within the...
Clandestine Splendor
Investigates the history of Netherlandish religious painting during the 17th and 18th centuries.
Historical Dictionary of Baroque Art and Architecture
This second edition of Historical Dictionary of Baroque Art and Architecture contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 600 cross-referenced entries on famous artists, sculptors, architects, patrons, and other historical figures, and events.
Dutch Art
An illustrated feast for the eye and intellect Dutch Art explores developments in art, art history, art criticism, and cultural history of the Netherlands from the artists' workshops for the Utrecht Dom in 1475 to the latest movements of the 1990s. it is lavishly illustrated with 147 black-and-white photographs and 16 pages in full color. More than 100 internationally recognized scholars, museum professionals, artists, and art critics contributed signed essays to this monumental work, including historians, sociologists, and literary historians.
Vermeer and His Milieu
This book is not only a fascinating biography of one of the greatest painters of the seventeenth century but also a social history of the colorful extended family to which he belonged and of the town life of the period. It explores a series of distinct worlds: Delft's Small-Cattle Market, where Vermeer's paternal family settled early in the century; the milieu of shady businessmen in Amsterdam that recruited Vermeer's grandfather to counterfeit coins; the artists, military contractors, and Protestant burghers who frequented the inn of Vermeer's father in Delft's Great Market Square; and the quiet, distinguished "Papists Corner" in which Vermeer, after marrying into a high-born Catholic family, retired to practice his art, while retaining ties with wealthy Protestant patrons. The relationship of Vermeer to his principal patron is one of many original discoveries in the book.
Vermeer's Camera
Over 100 years of speculation and controversy surround claims that the great seventeenth-century Dutch artist, Johannes Vermeer, used the camera obscura to create some of the most famous images in Western art. This intellectual detective story starts by exploring Vermeer's possible knowledge of seventeenth-century optical science, and outlines the history of this early version of the photographic camera, which projected an accurate image for artists to trace. However, it is Steadman's meticulous reconstruction of the artist's studio, complete with a camera obscura, which provides exciting new evidence to support the view that Vermeer did indeed use the camera.These findings do not challenge Vermeer's genius but show how, like many artists, he experimented with new technology to develop his style and choice of subject matter. The combination of detailed research and a wide range of contemporary illustrations offers a fascinating glimpse into a time of great scientific and cultural innovation and achievement in Europe.
The Religious Paintings of Hendrick ter Brugghen
The first in-depth study of the Utrecht artist to address questions beyond connoisseurship and attribution, this book makes a significant contribution to Ter Brugghen and Northern Caravaggist studies. Focusing on the Dutch master's simultaneous use of Northern archaisms with Caravaggio's motifs and style, Natasha Seaman nuances our understanding of Ter Brugghen's appropriations from the Italian painter. Her analysis centers on four paintings, all depicting New Testament subjects. They include Ter Brugghen's largest and first known signed work (Crowning with Thorns), his most archaizing (the Crucifixion), and the two paintings most directly related to the works of Caravaggio (the Doubting Tho...
