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This new study of the fiction of Gene Wolfe, one of the most influential contemporary American science fiction writers, offers a major reinterpretation of Gene Wolfe’s four-volume The Book of the New Sun and its sequel The Urth of the New Sun. After exposing the concealed story at the heart of Wolfe’s magnum opus, Wright adopts a variety of approaches to establish that Wolfe is the designer of an intricate textual labyrinth intended to extend his thematic preoccupations with subjectivity, the unreliability of memory, the manipulation of individuals by social and political systems, and the psychological potency of myth, faith and symbolism into the reading experience.
Partners in Wonder revolutionizes our knowledge of women and early science fiction. Contrary to accepted interpretations, women fans and writers were a welcome and influential part of pulp science fiction from the birth of the genre. Davin finds that at least 203 female authors, under their own female names, published over a thousand stories in science fiction magazines between 1926 and 1965. This work explores the distinctly different form of science fiction that females produced--one that was both more utopian and more empathetic than that of their male counterparts. Partners in Wonder presents, for the first time, a complete bibliography of every story published by women writers in science fiction magazines from 1926 to 1965 and brief biographies on 133 of these women writers. It is thus the most comprehensive source of information on early women science fiction writers yet available and of great importance to scholars of women's studies, popular culture, and English literature as well as science fiction.
Imagining the Middle Ages is an unprecedented examination of the historical content of films depicting the medieval period from the 11th to the 15th centuries. Historians increasingly feel the need to weigh in on popular depictions of the past, since so much of the public's knowledge of history comes from popular mediums. Aberth dissects how each film interpreted the period, offering estimations of the historical accuracy of the works and demonstrating how they project their own contemporary era's obsessions and fears onto the past.
This is a critical overview of monster magazines from the 1950s through the 1970s. "Monster magazine" is a blanket term to describe both magazines that focus primarily on popular horror movies and magazines that contain stories featuring monsters, both of which are illustrated in comic book style and printed in black and white. The book describes the rise and fall of these magazines, examining the contributions of Marvel Comics and several other well-known companies, as well as evaluating the effect of the Comics Code Authority on both present and future efforts in the field. It identifies several sub-genres, including monster movies, zombies, vampires, sword-and-sorcery, and pulp-style fiction. The work includes several indexes and technical credits.
This third volume in Mike Ashley's four-volume study of the science-fiction magazines focuses on the turbulent years of the 1970s, when the United States emerged from the Vietnam War into an economic crisis. It saw the end of the Apollo moon programme and the start of the ecology movement. This proved to be one of the most complicated periods for the science-fiction magazines. Not only were they struggling to survive within the economic climate, they also had to cope with the death of the father of modern science fiction, John W. Campbell, Jr., while facing new and potentially threatening opposition. The market for science fiction diversified as never before, with the growth in new anthologies, the emergence of semi-professional magazines, the explosion of science fiction in college, the start of role-playing gaming magazines, underground and adult comics and, with the success of Star Wars, media magazines. This volume explores how the traditional science-fiction magazines coped with this, from the
Citizens is a new kind of science fiction anthology. The names appearing between its covers are not only veteran authors, among the very best in the field, they are military veterans as well. New York Times bestselling author John Ringo (a veteran of the 82nd Airborne) and Brian M. Thomsen, a Hugo finalist and one of the most respected editors in the field, have selected a treasure trove of gems written by writers who know first hand what it means to wear their country's uniform. At the publisher's request, this title is sold without DRM (Digital Rights Management).
A study of the novels and short stories of science fiction writer Philip K. Dick (1928-1982)with presentation of a literary chronology of his career.
The politics of science fiction books, films and television in the 1970s.
Consists of book reviews and essays written for The magazine of fantasy and science fiction.