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In this first book-length critical study of Ban Gu and his works, Anthony Clark provides both biographical and historical information about Ban Gu and his political context, while also reflecting on how that context formed his portrayal of history. Clark's book argues that the precarious position court scholars and ministers occupied motivated Ban Gu to restructure long-hallowed Confucian political ideas into an entirely new notion of Heaven's Mandate (tianming). Unlike the earlier model, which held that Heaven assigned or removed its sanction based upon moral merits, Ban's new Mandate model held that the ruling dynastic family's Mandate was permanently bestowed, and thus irrevocable, regardless of the ruler's good or bad behavior. This book offers new insight to previous scholarly assumptions regarding the ancient Chinese idea of Heaven's Mandate, while also providing historical information about Ban Gu and his family during the Han dynasty. Ban Gu's History of Early China is an important book for anyone interested in the history, philosophy, and literature of early China.
This new reference work contains approximately 1500 entries covering Chinese civilisation from Peking Man to the present day. Subjects include history, politics, art, archaeology, and literature to name but a few.
The surviving examples of the early medieval "shelun," a subgenre of the "fu," are translated and interpreted against their political background in this original contribution to Chinese "Nanbeichao" studies.
Written with precision and flair by a host of leading academics from Beijing and Hong Kong, this single volume is a welcome addition to the study of world civilizations, a broad yet detailed chronological sweep through time. Every aspect of Chinese civilization is explained, interpreted, contextualized and brought to life with well-balanced commentary and photographic documentation. Published by City University of Hong Kong Press. 香港城市大學出版社出版。
Discusses the historical and cultural changes that occurred in Asia throughout history.
Tian, or Heaven, had multiple meanings in early China. It had been used since the Western Zhou to indicate both the sky and the highest god, and later came to be regarded as a force driving the movement of the cosmos and as a home to deities and imaginary animals. By the Han dynasty, which saw an outpouring of visual materials depicting Heaven, the concept of Heaven encompassed an immortal realm to which humans could ascend after death. Using excavated materials, Lillian Tseng shows how Han artisans transformed various notions of Heaven—as the mandate, the fantasy, and the sky—into pictorial entities. The Han Heaven was not indicated by what the artisans looked at, but rather was suggest...
A chronological scholarly survey of the history of historical writing in five volumes. Each volume covers a particular period of time, from the beginning of writing to the present day, and from all over the world.
Offers the first overarching history of the humanities from Antiquity to the present.