You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
"A powerful portrait of the oppressed and the forms of oppression that occur in India."—Theodore Riccardi, Jr., Columbia University
Manik Bandopadhyay's stories are focussed on the daily existence of rural Bengal, especially the darkness and the wretchedness that surround the lives of the people. Unlike his contemporaries he does not focus on the serene, calm beauty of the landscape. The three short stories in this anthology, also written in the same vein, speak of rural uprising, exploitation of women and fickleness of the human mind.
This Collection Of Essays Is Meant To Be A Survey Of The Novel In Twelve Major Indian Languages During The Period 1950 To 1980. While Seeking To Bring Into Focus The Major Trends And Tendencies That Characterise The Growth Of The Novel In These Languages, The Book Atempts To Explore The Traditions Being Established In Indian Novel Today And The New Directions The Novel Is Likely To Take In Our Languages. Gobinda Prasad Sarma Convincingly Shows How The Assamese Novel Reflects The Assamese Society And How Experimentation With New Techniques Has Widened The Horizons Of Assamese Novel: And K. Sivathamby, Through A Brilliant Analysis Of The Interconnection Between The Societal Factors And Develop...
This book works at the intersection of two related yet different fields. One is the heterogeneous feminist effort to question universal forms of knowing. The second field follows from this conundrum: how does one think of the body when s/he speaks of embodiment? ‘Toward a Politics of the (Im)Possible’ engages the forefront of contemporary thought on the body, while remaining mindful of the requirements of a feminist approach.
Signs (Chinha), written in 1946, was Manik Bandyopadhyay's fifteenth novel, and is something of a hidden gem of Bengali literature.The novel is set in the mass uprisings that Calcutta witnessed in protest against the trial and sentencing of Captain Rashid Ali of the Indian National Army. These outbursts of popular anger were initiated by students, and involved large sections of the working people.The author weaves together a number of episodes, meetings and partings happening simultaneously at different locations through a kind of narrative 'montage'. The narration represents this revolutionary moment witnessed through the eyes of myriads of people who make it, whether by participating in it...
A Marxist scholar and historian, Irfan Habib has been a towering presence in the Indian intellectual scene for over four decades. His formidable intellectual reputation, established in the sixties with the publication of The Agrarian System of Mughal India, broadened as he became an authority in the entire area of Indian history from ancient to modern. Professor Habib's undiminished commitment to the cause of socialism is reflected in these highly original and bold analyses of Marxist historiography and theories of socialist construction. This volume comprises essays from scholars around the world representing the wide variety of Habib's interests and contributions. Ranging from history to politics and economics, the essays cover both the medieval period and modern India, as well as theories for the future of this emerging superpower. This special edition also features an essay by Irfan Habib, originally published as The Economic History of Medieval India: A Survey, covering the Delhi Sultanate, the Vijayanagara economy and the economy of Mughal India.
The title of this book is intended to be an honest one, far from exaggerated phrases and empty meanings. Three words, a preposition, and a coordinating conjunction: ‘Topics on Art and Money’. A coordinating conjunction, not a subordinating one, since this book does not intend to express a hierarchical order. As all words united by a coordinating conjunction, this book intends to connect them. As simple as that. This book presents, through the chapters written by its authors, some of the ways in which Art and Money are linked. In order to observe this relationship, this book consists of authors whose analysis refers to political propaganda, historical events with artistic repercussions or...
This volume studies the ways in which modernity has been conceived, practiced, and performed in Indian literatures from the 18th to 20th century. It brings together essays on writings in Hindi, Urdu, Punjabi, Bengali, Odia, Gujarati, Marathi, Tamil, Telugu, Kannada, Malayalam, and languages from Northeast India, which form a dialogical relationship with each other in this volume. The concurrence and contradictions emerging through these studies problematize the idea of modernity afresh. The book challenges the dominance of colonial modernity through socio-historical and cultural analysis of how modernity surfaces as a multifaceted phenomenon when contextualized in the multilingual ethos of I...
Looks at the decade of 1940s in Bengal and provides a complete understanding of the pre-partition years.