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Looks at the decade of 1940s in Bengal and provides a complete understanding of the pre-partition years.
An insightful history of censorship, hate speech, and majoritarianism in post-partition South Asia. At the time of the India-Pakistan partition in 1947, it was widely expected that India would be secular, home to members of different religious traditions and communities, whereas Pakistan would be a homeland for Muslims and an Islamic state. Seventy-five years later, India is on the precipice of declaring itself a Hindu state, and Pakistan has drawn ever narrower interpretations of what it means to be an Islamic republic. Bangladesh, the former eastern wing of Pakistan, has swung between professing secularism and Islam. Neeti Nair assesses landmark debates since partition—debates over the c...
Captures the lives of those living close to the border areas of Jammu and their stories of contesting or reinforcing India-Pakistan boundaries.
Explores new geographies of urban poverty, examining the citizenship, legal status and politics of the rehabilitated poor.
It departs from the scholarship produced on Sri Lanka, and re-introduces the neo-Marxist approaches through the works of Antonio Gramsci.
Indian poetry in English began with the imitation of English Romantic poets but gradually Indo-Anglian poets began to write on Indian themes based on Indian contexts and Indian social scenario. Indo-Anglian poetry has received world recognition and some of the poets are held in high esteem. This anthology containing 35 essays is an attempt to represent the gamut of Indian poetry in English, both pre-Independence and post-Independence, from diverse critical perspectives. The thirteen poets covered in this anthology include Michael Madhusudan Dutt, Toru Dutt, Rabindranath Tagore, Sarojini Naidu, Nissim Ezekiel, A.K. Ramanujan, and Kamala Das. The essays in the book offer innovative perspectives and touch upon different aspects of Indian poetry in English. The tone of the essays varies from personal to argumentative to objectively discursive. The book, with diverse and thought-provoking essays, will be highly useful for undergraduate and postgraduate students of English Literature. Besides, those who are interested to know about Indian Poetry in English will find the book quite illuminating and interesting.
The book focuses on the integration of intelligent communication systems, control systems, and devices related to all aspects of engineering and sciences. It includes high-quality research papers from the 3rd international conference, ICICCD 2018, organized by the Department of Electronics, Instrumentation and Control Engineering at the University of Petroleum and Energy Studies, Dehradun on 21–22 December 2018. Covering a range of recent advances in intelligent communication, intelligent control and intelligent devices., the book presents original research and findings as well as researchers’ and industrial practitioners’ practical development experiences of.
The period (1940s to 1950s), was chaotic and turbulent in Calcutta, yet, this was also a time of significant creativity in literature, art, films and music in the city. The originality of the work lies in blending poetry with historical writing, retaining the essence of both forms against the backdrop of the tumultuous events of the critical decades. This historical method together with twenty-one papers give the reader a sense of the pulse of this complex city ‘emerging creatively and chaotically from its colonial past’. Please note: Taylor & Francis does not sell or distribute the Hardback in India, Pakistan, Nepal, Bhutan, Bangladesh and Sri Lanka
The Bengal Famine and Cultural Production: Signifying Colonial Trauma analyses the various modes of representation used by Anglophone authors and artists in response to the Bengal Famine of 1943. Official imperial narratives blamed the famine on natural disaster, war, exploitation by merchants, and incompetent local officials rather than members of the imperial government and have remained dominant in the global public imaginary until recent years. The authors and artists referenced in this study appealed to elite Bengali, South Asian, and international audiences to resist imperial narratives that minimized or erased suffering and instead encouraged relief efforts, promoted nationalist movem...
The book begins with the momentous task of demolishing the prejudices attached with the phrase 'founding fathers' that has held an immense sway over constitutional interpretation. It shows that women members of the Indian Constituent Assembly had painstakingly co-authored a Constitution that embodied a moral imagination developed by years of feminist politics. It traces the genealogies of several constitutional provisions to argue that, without the interventions of these women framers, the Constitution would hardly have a much poorer document of rights and statecraft that it is. Situating these interventions in the larger trajectory of Indian feminism in which they are rooted, in the nationalist discourse with which they perpetually negotiated, and in the larger human rights discourse of the 1940s, the book shows that the women members of the Indian Constituent Assembly were much more than the 'founding mothers' of a republic.