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Manik Bandopadhyay's stories are focussed on the daily existence of rural Bengal, especially the darkness and the wretchedness that surround the lives of the people. Unlike his contemporaries he does not focus on the serene, calm beauty of the landscape. The three short stories in this anthology, also written in the same vein, speak of rural uprising, exploitation of women and fickleness of the human mind.
Presents the Indian literatures, not in isolation in one another, but as related components in a larger complex, conspicuous by the existence of age-old multilingualism and a variety of literary traditions. --
"A powerful portrait of the oppressed and the forms of oppression that occur in India."—Theodore Riccardi, Jr., Columbia University
Signs (Chinha), written in 1946, was Manik Bandyopadhyay's fifteenth novel, and is something of a hidden gem of Bengali literature.The novel is set in the mass uprisings that Calcutta witnessed in protest against the trial and sentencing of Captain Rashid Ali of the Indian National Army. These outbursts of popular anger were initiated by students, and involved large sections of the working people.The author weaves together a number of episodes, meetings and partings happening simultaneously at different locations through a kind of narrative 'montage'. The narration represents this revolutionary moment witnessed through the eyes of myriads of people who make it, whether by participating in it...
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A Major Activity Of The Sahitya Akademi Is The Preparation Of An Encyclopaedia Of Indian Literature. The Venture, Covering Twenty-Two Languages Of India, Is The First Of Its Kind. Written In English, The Encyclopaedia Gives A Comprehensive Idea Of The Growth And Development Of Indian Literature. The Entries On Authors, Books And General Topics Have Been Tabulated By The Concerned Advisory Boards And Finalised By A Steering Committee. Hundreds Of Writers All Over The Country Contributed Articles On Various Topics. The Encyclopaedia, Planned As A Six-Volume Project, Has Been Brought Out. The Sahitya Akademi Embarked Upon This Project In Right Earnest In 1984. The Efforts Of The Highly Skilled ...
This Collection Of Essays Is Meant To Be A Survey Of The Novel In Twelve Major Indian Languages During The Period 1950 To 1980. While Seeking To Bring Into Focus The Major Trends And Tendencies That Characterise The Growth Of The Novel In These Languages, The Book Atempts To Explore The Traditions Being Established In Indian Novel Today And The New Directions The Novel Is Likely To Take In Our Languages. Gobinda Prasad Sarma Convincingly Shows How The Assamese Novel Reflects The Assamese Society And How Experimentation With New Techniques Has Widened The Horizons Of Assamese Novel: And K. Sivathamby, Through A Brilliant Analysis Of The Interconnection Between The Societal Factors And Develop...
A Marxist scholar and historian, Irfan Habib has been a towering presence in the Indian intellectual scene for over four decades. His formidable intellectual reputation, established in the sixties with the publication of The Agrarian System of Mughal India, broadened as he became an authority in the entire area of Indian history from ancient to modern. Professor Habib's undiminished commitment to the cause of socialism is reflected in these highly original and bold analyses of Marxist historiography and theories of socialist construction. This volume comprises essays from scholars around the world representing the wide variety of Habib's interests and contributions. Ranging from history to politics and economics, the essays cover both the medieval period and modern India, as well as theories for the future of this emerging superpower. This special edition also features an essay by Irfan Habib, originally published as The Economic History of Medieval India: A Survey, covering the Delhi Sultanate, the Vijayanagara economy and the economy of Mughal India.
Critique of the works of Manik Bandyopadhyay, 1908-1956, Bengali writer; includes brief life sketch.