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The Clear Line in Comics and Cinema
Historical and theoretical analysis of the “clear line” style in comics and cinema The “clear line”, a term coined in 1977 by Dutch essayist and artist Joost Swarte, has become shorthand in the field of comics studies for the style originally developed by Hergé and the École de Bruxelles. It refers to certain storytelling strategies that generate a deceptively simple, lucid, and hygienic narration: in Philippe Marion’s words, it is a style “made out of light, fluidity and limpid clarity”. By cataloguing and critically analysing clear line comics from historical and theoretical perspectives, this book offers a new outlook on the development of the style in the 20th and 21st ce...
Takashi Shimura
Considered one of the finest performers in world cinema, Japanese actor Takashi Shimura (1905-1982) appeared in more than 300 stage, film and television roles during his five-decade career. He is best known for his frequent collaborations with Akira Kurosawa, including major roles in the landmark classics Rashomon (1950), Ikiru (1952) and Seven Samurai (1954), and for his memorable characterizations in Ishiro Honda's Godzilla (1954) and several Kaiju sequels. This is the first complete English-language account of Shimura's work. In addition to historical and critical coverage of Shimura's life and career, it includes an extensive filmography.
Ozu and the Poetics of Cinema
Over the last two decades, Yasujiro Ozu has won international recognition as a major filmmaker. Combining biographical information with discussions of the films' aesthetic strategies and cultural significance, David Bordwell questions the popular image of Ozu as the traditional Japanese artisan and examines the aesthetic nature and functions of his cinema.
Steven Spielberg's Style by Stealth
This book reveals how Spielberg utilises stylistic strategies that are both unique and innovative when considered within the context of the classical Hollywood system. James Mairata identifies two distinct systems at work in Spielberg's application of style. One is the use of deep space compositions and staging, a form that was commonly seen in Hollywood cinema until the rise of the 'New Hollywood' in the early 1970s. The other system is based on the ubiquitous shot, reverse shot arrangement most commonly used for dialogue scenes, and which Spielberg has modified into what the author describes as wide reverses. Through the integration of both systems, Spielberg is able to create a more compl...
A Hundred Years of Japanese Film
Richie offers movie buffs and serious film students a lively, comprehensive overview of Japanese cinema from the end of the 19th century to the present. Updated DVD and VHS listings feature new releases, classic films, and reviews.
Ozu's Anti-cinema
A luminous exploration of one filmmaker's work by another, an artist's personal journey, a manifesto
Staging Memories
"In Staging Memories, authors Abâe Mark Nornes and Emilie Yeh present an updated study of Hou Hsiao-hsien's landmark contributions to Taiwanese and world cinema, with particular emphasis on A City of Sadness (Beiqing Chengshi), the winner of the Golden Lion award at the 1989 Venice Film Festival. Staging Memories is based on Narrating National Sadness, one of the first hypertext analyses in film studies, and its analysis is couched in a general history of Taiwan, the political massacre that A City of Sadness recreates, and the history of Taiwan New Cinema. This background information is crucial context for viewers, and one of the reasons teachers have long valued the hypertext version of the book. The body of the text analyzes Hou's style, representation of violence, and the complex manner in which he renders history in his oblique long-take style. The book ends with a chapter that examines a single sequence that unifies the various threads of the overall analysis." -- Publisher's description
