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The rich findings of recent exploration and research are incorporated in this completely revised and greatly expanded sixth edition of this standard work on the Maya people. New field discoveries, new technical advances, new successes in the decipherment of Maya writing, and new theoretical perspectives on the Maya past have made this new edition necessary.
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"Data and interpretations generated from the Soconusco are critical but often fail to inform larger debates in Mesoamerica as frequently as they should. This book remedies that situation; it will be of interest to all Mesoamericanists who work on the Archaic and Formative periods."--Jeffrey P. Blomster, editor of After Monte Alban: Transformation and Negotiation in Oaxaca, Mexico "This volume will be crucial to our understanding of the origins of civilization in Mesoamerica. Its interpretations are innovative and present a wealth of new research on an early time period from a very important region. Its importance cannot be underestimated."--Terry G. Powis, Department of Anthropology, Kennesaw State University
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The Skyband Group is an impressive elite site in the urban core of Copán, Honduras, which is dominated by the palatial compounds of Maya sub-royal nobles. Such grandees often bore court titles showing that they were clients and officials of kings, but also competitors for political power, especially just before the dynastic collapse around AD 800.
This book examines the functions of sculpture during the Preclassic period in Mesoamerica and its significance in statements of social identity. Julia Guernsey situates the origins and evolution of monumental stone sculpture within a broader social and political context and demonstrates the role that such sculpture played in creating and institutionalizing social hierarchies. This book focuses specifically on an enigmatic type of public, monumental sculpture known as the 'potbelly' that traces its antecedents to earlier, small domestic ritual objects and ceramic figurines. The cessation of domestic rituals involving ceramic figurines along the Pacific slope coincided not only with the creation of the first monumental potbelly sculptures, but with the rise of the first state-level societies in Mesoamerica by the advent of the Late Preclassic period. The potbellies became central to the physical representation of new forms of social identity and expressions of political authority during this time of dramatic change.
This is a prose series of unpublished interviews with, and a visual retrospective of, the seminal mid- to late-20th century literary crime writer. In 1976, critic Paul Nelson spent several weeks interviewing legendary detective writer Ross Macdonald, who elevated the form to a new literary level. “We talked about everything imaginable,” Nelson wrote―including Macdonald’s often meager beginnings; his dual citizenship; writers, painters, music, and movies he admired; The Great Gatsby, his favorite book; how he used symbolism to change detective writing; and more. This book, published in a handsome, oversized format, collects these unpublished interviews and is a visual history of Macdonald’s professional career. It is illustrated with rare and select items from one of the world’s largest private archives of Macdonald ephemera; reproduces, in full color, the covers of the various editions of Macdonald’s more than two dozen books; collects facsimile reproductions of select pages from his manuscripts, as well as magazine spreads; and presents rare photos, many never before seen.
This book explores material culture and human adaptations to nature over time, with a focus on ceramics. The author also explores the role of ethnoarchaeology and ethnohistory as key elements of a broad research strategy that seeks to understand human interaction with nature over time.
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