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New World Immigrants
  • Language: en
  • Pages: 1206

New World Immigrants

A consolidation of the many articles regarding ship passenger lists previously published.

Kiplinger's Personal Finance
  • Language: en
  • Pages: 116

Kiplinger's Personal Finance

  • Type: Magazine
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  • Published: 1999-07
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  • Publisher: Unknown

The most trustworthy source of information available today on savings and investments, taxes, money management, home ownership and many other personal finance topics.

Emigrants, Refugees and Prisoners
  • Language: en
  • Pages: 478

Emigrants, Refugees and Prisoners

  • Type: Book
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  • Published: 1995
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  • Publisher: Unknown

None

Thought to Exist in the Wild
  • Language: en
  • Pages: 160

Thought to Exist in the Wild

Provides a history of zoos, examines the faults of zoos, and argues for their dissolution.

Storytelling in Opera and Musical Theater
  • Language: en
  • Pages: 312

Storytelling in Opera and Musical Theater

Storytelling in Opera and Musical Theater is the first systematic exploration of how sung forms of drama tell stories. Through examples from opera's origins to contemporary musicals, Nina Penner examines the roles of character-narrators and how they differ from those in literary and cinematic works, how music can orient spectators to characters' points of view, how being privy to characters' inner thoughts and feelings may evoke feelings of sympathy or empathy, and how performers' choices affect not only who is telling the story but what story is being told. Unique about Penner's approach is her engagement with current work in analytic philosophy. Her study reveals not only the resources thi...

Official Gazette of the United States Patent and Trademark Office
  • Language: en
  • Pages: 876

Official Gazette of the United States Patent and Trademark Office

  • Type: Book
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  • Published: 1994
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  • Publisher: Unknown

None

Princeton Alumni Weekly
  • Language: en
  • Pages: 774

Princeton Alumni Weekly

None

A Disabled Apostle
  • Language: en
  • Pages: 309

A Disabled Apostle

Speculation around the health of Paul the Apostle has been present since soon after his death. Recently scholars have understood Paul to be disabled but have been wary of isolating precisely what his disabilities may have been or whether they are important for understanding his writings. This book is the first full-length study of Paul the Apostle and disability. Using insights from contemporary disability studies, Isaac Soon analyses features of Paul's body in his ancient Mediterranean context to understand the ways in which his body was disabled. Focusing on three such ancient disabilities--demonization, circumcision, and short stature--this book draws on a rich variety of ancient evidence...

Kartografski zakladi slovenskega ozemlja
  • Language: en
  • Pages: 136

Kartografski zakladi slovenskega ozemlja

Monografija predstavlja bogastvo zgodovinskih kartografskih upodobitev slovenskega ozemlja. V grobem je razdeljena v dva dela. V besedilnem delu so predstavljeni zgodovina evropske kartografije do konca 19. stoletja, kartografski prikazi slovenskega ozemlja do začetka 20. stoletja ter zemljevidi kot kulturna dediščina. Kartografski del monografije pa prinaša kronološki prikaz pomembnejših starih zemljevidov slovenskega ozemlja. Predstavljeni so zemljevidi od srede 16. stoletja, ko so nastala prva samostojna kartografska dela današnjega slovenskega ozemlja, do začetka 20. stoletja, ko se kartografija razvije v sodobno vedo. Namen monografije ni obsežna predstavitev posameznih zemljevidov, temveč predstavitev slovenske kartografske dediščine.

Opera in Performance
  • Language: en
  • Pages: 199

Opera in Performance

Opera in Performance elucidates the performative dimension of contemporary opera productions. What are the most striking and decisive moments in a performance? Why do we respond so strongly to stagings that transform familiar scenes, to performers’ bodily presence, and to virtuosic voices as well as ill-disposed ones? Drawing on phenomenology and performance theory, Clemens Risi explains how these moments arise out of a dialogue between performers and the audience, representation and presence, the familiar and the new. He then applies these insights in critical descriptions of his own experiences of various singers, stagings, and performances at opera houses and festivals from across the German-speaking world over the last twenty years. As the first book to focus on what happens in performance as such, this study shifts our attention to moments that have eluded articulation and provides tools for describing our own experiences when we go to the opera. This book will particularly interest scholars and students in theater and performance studies, musicology, and the humanities, and may also appeal to operagoers and theater professionals.