You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
An internationally renowned painter in his time (1789-1854), John Martin created paintings of apocalyptic destruction and biblical disaster. He is credited with influencing a remarkable range of people, including the Brontes and the Pre-Raphaelites.
Laura Knight (1877-1970) was one of the most distinguished women artists of the early 20th century with an international reputation. This much-anticipated biography appears at a time of renewed interest in Dame Laura's extensive repertoire. Laura Knight: A Life probes beneath the myths and fictions that have and continue to be woven around the artist. This highly readable and objective biography covers her early years in Nottingham; relationship with her husband Harold; life in the artists colonies of Staithes on the North Yorkshire coast, Laren in Holland and Newlyn in Cornwall; Laura's subsequent immersion in the worlds of the ballet, the circus, the theatre and her travels in Europe and A...
In this book, theatre historian Jason Price looks at the relationships and exchanges that took place between high and low cultural forms in Britain from 1880 to 1940, focusing on the ways in which figures from popular entertainments, such as music hall serio-comics, clowns, and circus acrobats, came to feature in modern works of art. Readers with an interest in art, theatre, and the history of modern Britain will find Price’s approach, which sees major works of art used to illuminate the histories of once-famous entertainers and the wider social, political, and cultural landscape of this period, accessible and engaging. The book will bring to life for readers some of the most vivid works of modern British art and reveal how individuals historically overlooked due to their gender, sexuality, or race played a significant role in the shaping of British culture during this period of monumental social change.
A religious studies scholar argues that in antebellum America, evangelicals, not Transcendentalists, connected ordinary Americans with their spiritual roots in the natural world. We have long credited Emerson and his fellow Transcendentalists with revolutionizing religious life in America and introducing a new appreciation of nature. Breaking with Protestant orthodoxy, these New Englanders claimed that God could be found not in church but in forest, fields, and streams. Their spiritual nonconformity had thrilling implications but never traveled far beyond their circle. In this essential reconsideration of American faith in the years leading up to the Civil War, Brett Malcolm Grainger argues ...
Beyond her most famous creation—the nightmarish vision of Frankenstein’s Creature—Mary Shelley’s most enduring influence on politics, literature, and art perhaps stems from the legacy of her lesser-known novel about the near-extinction of the human species through war, disease, and corruption. This novel, The Last Man (1826), gives us the iconic image of a heroic survivor who narrates the history of an apocalyptic disaster in order to save humanity—if not as a species, then at least as the practice of compassion or humaneness. In visual and musical arts from 1826 to the present, this postapocalyptic figure has transmogrified from the “last man” into the globally familiar filmic...
Now in paperback this revised and updated highly readable illustrated biography of the painter Dame Laura Knight (1877-1970) who was one of the leading British painters of the twentieth century. The book explores her relationships, professional challenges and achievements during her lifetime.
The articles in this number of Romantik include new research on reverie and dream as the locus of metaphor in Percy Bysshe Shelley's Prometheus Unbound; an enquiry into the Royal Swedish Society for the Publication of Manuscripts Relating to Scandinavian History and the role it played in the construction of national memory and heritage; a discussion of Philippe Jacques de Loutherbourg's and John Martin's iconographies of the sublime in the intersection between art and popular visual spectacle; archival discoveries related to the publication of medieval romance in early nineteenth-century Britain; and a reassessment of The Prelude as a formation narrative, arguing that William Wordsworth displays a conflicted attitude to the growth and progress usually found in the Bildungsroman. The journal also contains reviews of new books on the romantic period published in the Nordic countries.
Goin' Back to the 1960sis a memoir of a happy and eventful life of a young man during the 1960s where 'growing up' changed his outlook on life from a care-free innocent boy to an outright teenage cynic. Brian's story begins when Brian's parents decide to move from an inner-city life in the East End of London to the leafy Berkshire countryside. This move changed his life completely for the better and together with a band of characterful friends he enjoyed all the freedoms the countryside had to offer. Life was certainly good, full of long summer days, fishing and many exciting adventures that would often get him into trouble. These stories are full of the love and passion he had for angling, for sport, and especially for pop music recalling many of his favourite records of the time. Interspersed with hilarious anecdotes, as well as poignant family moments. He shares his views on the great historical events of the 60s headlining the news at the time. These stories provide the reader with a nostalgic journey through the 1960s and describes everything wonderful about growing up at that time. A funny, warm and light-hearted read.
'Afonso Cuarón's GRAVITY . . . Ridley Scott's THE MARTIAN . . . Few novels measure up to these gripping cinematic visions, but Simon Morden's GALLOWGLASS knocks them out of the park' The Times The Times Best New Science Fiction! JACK VAN DER VEERDEN IS ON THE RUN. From his billionaire parents' chilling plans, from his brutal bodyguard, from a planet on the brink of climate chaos. Seeking freedom out in space, he gets a job on a mining ship chasing down an asteroid. Crewed by mercenaries and misfits, they all want a cut of the biggest payday in history. A single mistake could cost Jack his life - and that's before they reach their destination. The bounty from the asteroid could change lives and save nations - and corrupt any one of them. Because in space, it's all or nothing: riches beyond measure, or dying alone in the dark. Praise for ONE WAY: 'A blend of classic mystery, ORANGE IS THE NEW BLACK and Andy Weir's THE MARTIAN, ONE WAY is a science fiction thriller like no other' Waterstones 'A claustrophobic, high-tension, survival-against-the-odds thriller' Guardian
None