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An internationally renowned painter in his time (1789-1854), John Martin created paintings of apocalyptic destruction and biblical disaster. He is credited with influencing a remarkable range of people, including the Brontes and the Pre-Raphaelites.
Mark Akenside (1721–1770) was a medical doctor and literary man whose influence on the history of ideas was profound. Born the son of a butcher in Newcastle Upon Tyne in 1721 Mark Akenside was awarded a degree in medicine from Edinburgh and Leyden Universities. He settled in London in 1743 where he was successful both as a doctor and in medical research. Above all, he was the author of The Pleasures of Imagination1744, an epic length poem in blank verse which broke many conventions of the time, exploring ideas about human perception and the natural world. Akenside had a European reputation and became a national celebrity. He was a major influence on first- and second-generation Romantic poets such as Wordsworth, Keats, Coleridge, etc. He also made an impact on the development of landscape painting in the early 19th century through his influence on J.M.W. Turner. This book examines these issues, as well as the controversy and speculation about Akenside's relationship with his origins, his sexuality, and changing political affiliations in a period of economic crisis and great social change.
Goin' Back to the 1960sis a memoir of a happy and eventful life of a young man during the 1960s where 'growing up' changed his outlook on life from a care-free innocent boy to an outright teenage cynic. Brian's story begins when Brian's parents decide to move from an inner-city life in the East End of London to the leafy Berkshire countryside. This move changed his life completely for the better and together with a band of characterful friends he enjoyed all the freedoms the countryside had to offer. Life was certainly good, full of long summer days, fishing and many exciting adventures that would often get him into trouble. These stories are full of the love and passion he had for angling, for sport, and especially for pop music recalling many of his favourite records of the time. Interspersed with hilarious anecdotes, as well as poignant family moments. He shares his views on the great historical events of the 60s headlining the news at the time. These stories provide the reader with a nostalgic journey through the 1960s and describes everything wonderful about growing up at that time. A funny, warm and light-hearted read.
The articles in this number of Romantik include new research on reverie and dream as the locus of metaphor in Percy Bysshe Shelley's Prometheus Unbound; an enquiry into the Royal Swedish Society for the Publication of Manuscripts Relating to Scandinavian History and the role it played in the construction of national memory and heritage; a discussion of Philippe Jacques de Loutherbourg's and John Martin's iconographies of the sublime in the intersection between art and popular visual spectacle; archival discoveries related to the publication of medieval romance in early nineteenth-century Britain; and a reassessment of The Prelude as a formation narrative, arguing that William Wordsworth displays a conflicted attitude to the growth and progress usually found in the Bildungsroman. The journal also contains reviews of new books on the romantic period published in the Nordic countries.
Now in paperback this revised and updated highly readable illustrated biography of the painter Dame Laura Knight (1877-1970) who was one of the leading British painters of the twentieth century. The book explores her relationships, professional challenges and achievements during her lifetime.
Laura Knight (1877-1970) was one of the most distinguished women artists of the early 20th century with an international reputation. This much-anticipated biography appears at a time of renewed interest in Dame Laura's extensive repertoire. Laura Knight: A Life probes beneath the myths and fictions that have and continue to be woven around the artist. This highly readable and objective biography covers her early years in Nottingham; relationship with her husband Harold; life in the artists colonies of Staithes on the North Yorkshire coast, Laren in Holland and Newlyn in Cornwall; Laura's subsequent immersion in the worlds of the ballet, the circus, the theatre and her travels in Europe and A...
In this book, theatre historian Jason Price looks at the relationships and exchanges that took place between high and low cultural forms in Britain from 1880 to 1940, focusing on the ways in which figures from popular entertainments, such as music hall serio-comics, clowns, and circus acrobats, came to feature in modern works of art. Readers with an interest in art, theatre, and the history of modern Britain will find Price’s approach, which sees major works of art used to illuminate the histories of once-famous entertainers and the wider social, political, and cultural landscape of this period, accessible and engaging. The book will bring to life for readers some of the most vivid works of modern British art and reveal how individuals historically overlooked due to their gender, sexuality, or race played a significant role in the shaping of British culture during this period of monumental social change.
The Paris Salons of the mid-nineteenth century are famous today above all for the paintings that were rejected more than for those that were actually shown. The rejected works form today's canon of art history and are regarded as heralds of a modern age. This book looks to reassess the other side of the art history of the nineteenth century. Salon Painting has often been dismissed as overly academic or staid. Now art historian Norbert Wolf turns back the pages of history as he reintroduces readers to the artistry and excellence of the Salon Painting in Europe, Britain, Russia and the US. In an opulent new book, illustrated throughout with gorgeous reproductions, Wolf looks at Salon painting from a variety of perspectives, such as the rise of the bourgeoisie and Paris's position as Europe's cultural capitol. Wolf examines masterpieces by Cabanel, Manet, Bierstadt, The Pre-Raphaelites, and Sargent, demonstrating how classical subjects gave way to modern concerns.
'I was blown away by this book... Lynskey is one of the best non-fiction writers around.' – Sathnam Sanghera, author of Empireland 'Everything Must Go will make you happy to be alive and reading – until the lights go out... Brilliant’ The Spectator A riveting and brilliantly original exploration of our fantasies of the end of the world, from Mary Shelley's The Last Man to Marvel's Avengers: Age of Ultron, by the Baillie Gifford and Orwell prize-shortlisted writer and co-host of the podcast 'Origin Story'. For two millennia, Christians have looked forward to the end, haunted by the apocalyptic visions of the Biblical books of Daniel and Revelation. But for two centuries or more, these d...
A religious studies scholar argues that in antebellum America, evangelicals, not Transcendentalists, connected ordinary Americans with their spiritual roots in the natural world. We have long credited Emerson and his fellow Transcendentalists with revolutionizing religious life in America and introducing a new appreciation of nature. Breaking with Protestant orthodoxy, these New Englanders claimed that God could be found not in church but in forest, fields, and streams. Their spiritual nonconformity had thrilling implications but never traveled far beyond their circle. In this essential reconsideration of American faith in the years leading up to the Civil War, Brett Malcolm Grainger argues ...