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Laura Knight (1877-1970) was the first woman artist to be made a Dame of the British Empire. Her work covers a variety of subjects from the Nuremberg trials to her portrayals of London's theatre and ballet. This first critical appraisal of her work includes extracts from her autobiographies.
Laura Knight (1877-1970) was one of the most distinguished women artists of the early 20th century with an international reputation. This much-anticipated biography appears at a time of renewed interest in Dame Laura's extensive repertoire. Laura Knight: A Life probes beneath the myths and fictions that have and continue to be woven around the artist. This highly readable and objective biography covers her early years in Nottingham; relationship with her husband Harold; life in the artists colonies of Staithes on the North Yorkshire coast, Laren in Holland and Newlyn in Cornwall; Laura's subsequent immersion in the worlds of the ballet, the circus, the theatre and her travels in Europe and A...
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Catalog of an exhibition held at Penlee House Gallery & Museum, Penzance, June 16-Sep. 8, 2012; at Djanogly Art Gallery, Nottingham, Sept. 22-Nov. 4, 2012; and at Worcester City Art Gallery, Nov. 17, 2012-Feb. 10, 2013.
A major survey of Dame Laura Knight, first female Royal Academician and popular British artist of the 20th century. Laura Knight (1877–1970) was one of the most famous and popular English artists of the twentieth century. She was the first woman to have a solo exhibition at the Royal Academy of Arts, in 1965. In the following decades her realist style of painting fell out of fashion and her work become largely overlooked. A new generation has rediscovered her work, finding a contemporary resonance in her depictions of women at work, of people from marginalized communities and her contributions as a war artist. This beautifully illustrated book, which accompanies a major exhibition at MK Ga...
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Dame Laura Knight RA (1877-1970) was the first female member to be elected to the Royal Academy of Arts, submitting Dawn, her now famous painting of two female nudes, as her Diploma Work in 1936. In 1965 the Academy's major retrospective of her work recognised her importance in British art.0This autumn an exhibition of Knight's drawings opens at the RA. Drawing was a key part of her practice, and allowed her to capture at speed her various subjects, which include travellers, circus performers, boxers, ballet dancers and ice skaters. Drawing allowed her to capture with immediacy the exuberant life of her models, as well as being a vital recording tool when she witnessed one of the most important events of the twentieth century: the Nuremberg trials.0In this new publication on the artist, Annette Wickham and Helen Valentine present the Academy's holdings of her drawings with an in-depth analysis focused on three key subjects within her work: the nude, the working woman and country life.00Exhibition: Royal Academy of Arts, Tennant Gallery, London, UK (02.09.2019-02.02.2020).
Laura Knight, the first woman elected to the Royal Academy of Arts, is widely acknowledged as one of the most important English artists of the twentieth century. Her autobiography--originally published in 1936 and now back in print with forty color images--offers a fascinating look inside the life of a trailblazing polymath. Although she is best known for her paintings of the worlds of ballet and theater, Knight's work also shed light on marginalized communities, including itinerant gypsies and laborers in the American South. She served as an official war artist in World War II and later recorded the Nuremberg trials. Oil Paint and Grease Paint tells the inside story of a multifaceted original.
Dame Laura Knight (1877-1970) was one of Britain's most popular artists during the first half of the 20th century. Although she is known chiefly for her technically accomplished paintings of circus and ballet scenes, this book considers the full range of her graphic work - the drawings, linocuts, lithographs and etchings.