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I Am Venus
This fictional account of the seventeenth-century Spanish painter’s life is “a very enjoyable read . . . A portrait of Velázquez and a meditation on love” (Washington Independent Review of Books). Narrated by the mysterious model who posed for Rokeby Venus, Diego Velázquez’s only surviving female nude, I Am Venus is the riveting account of a great artist’s rise to prominence, set against the backdrop of political turmoil and romantic scandal. A sweeping story of scandal and passion, and a vivid recreation of a corrupt kingdom on the brink of collapse, I Am Venus is a thrilling novel that brings to life the public and private worlds of Spain’s greatest painter. “A well-plotted...
Women Warriors in Early Modern Spain
Although scholars often depict early modern Spanish women as victims, history and fiction of the period are filled with examples of women who defended their God-given right to make their own decisions and to define their own identities. The essays in Women Warriors in Early Modern Spain examine many such examples, demonstrating how women battled the status quo, defended certain causes, challenged authority, and broke barriers. Such women did not necessarily engage in masculine pursuits, but often used cultural production and engaged in social subversion to exercise resistance in the home, in the convent, on stage, or at their writing desks. Distributed for the University of Delaware Press
Miss Del Río
"Dolores del Río bursts to life in this vivid, well-researched portrayal of her challenging life during Hollywood's golden era. Her iconic feline elegance and brash spirit dominates every page, but it's her defiance to live life on her own terms that sets her apart--and what an extraordinary life she led." --C.W. Gortner, author of Marlene 1910, Mexico. As the country's revolution spreads, Dolores, the daughter of a wealthy banker, must flee her comfortable life in Durango or risk death. Her family settles in Mexico City, where, at sixteen, she marries the worldly Jaime del Río. But in a twist of fate, at a party she meets an influential American director who recognizes in her a natural pe...
Frida
Told by Frida Kahlo's sister Cristina, this is the story of the great artist and her marriage to another great artist, the muralist Diego Rivera.
Researching the Song
Original publication and copyright date: 2006.
Anxieties of Interiority and Dissection in Early Modern Spain
Anxieties of Interiority and Dissection in Early Modern Spain brings the study of Europe's "culture of dissection" to the Iberian peninsula, presenting a neglected episode in the development of the modern concept of the self. Enrique Fernandez explores the ways in which sixteenth and seventeenth-century anatomical research stimulated both a sense of interiority and a fear of that interior's exposure and punishment by the early modern state. Examining works by Miguel de Cervantes, María de Zayas, Fray Luis de Granada, and Francisco de Quevedo, Fernandez highlights the existence of narratives in which the author creates a surrogate self on paper, then "dissects" it. He argues that these texts share a fearful awareness of having a complex inner self in a country where one's interiority was under permanent threat of punitive exposure by the Inquisition or the state. A sophisticated analysis of literary, religious, and medical practice in early modern Spain, Fernandez's work will interest scholars working on questions of early modern science, medicine, and body politics.
A Retrospective
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Women Religious and Epistolary Exchange in the Carmelite Reform
The sixteenth century was a period of crisis in the Catholic Church. Monastic reorganization was a major issue, and women were at the forefront of charting new directions in convent policy. The story of the Carmelite Reform has been told before, but never from the perspective of the women on the front lines. Nearly all accounts of the movement focus on Teresa de Avila, (1515-1582), and end with her death in 1582. Women Religious and Epistolary Exchange in the Carmelite Reform: The Disciples of Teresa de Avila carries the story beyond Teresa's death, showing how the next generation of Carmelite nuns struggled into the seventeenth century to continue her mission. It is unique in that it draws primarily from female-authored sources, in particular, the letters of three of Teresa's most dynamic disciples: María de San José, Ana de Jesús and Ana de San Bartolomé.
Metaphors of Conversion in Seventeenth-century Spanish Drama
A new examination of the important theme of conversion in seventeenth-century Spanish drama.
