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Miss Del Río
"Dolores del Río bursts to life in this vivid, well-researched portrayal of her challenging life during Hollywood's golden era. Her iconic feline elegance and brash spirit dominates every page, but it's her defiance to live life on her own terms that sets her apart--and what an extraordinary life she led." --C.W. Gortner, author of Marlene 1910, Mexico. As the country's revolution spreads, Dolores, the daughter of a wealthy banker, must flee her comfortable life in Durango or risk death. Her family settles in Mexico City, where, at sixteen, she marries the worldly Jaime del Río. But in a twist of fate, at a party she meets an influential American director who recognizes in her a natural pe...
A New Anthology of Early Modern Spanish Theater
An anthology of plays from the Spanish Golden Age contains the full text of 15 plays; an introduction to each play with information about the author, the work, performance issues and current criticism; and glossaries with definitions of difficult words and concepts.
Frida
Told by Frida Kahlo's sister Cristina, this is the story of the great artist and her marriage to another great artist, the muralist Diego Rivera.
Dreams, Dreamers, and Visions
In Europe and North and South America during the early modern period, people believed that their dreams might be, variously, messages from God, the machinations of demons, visits from the dead, or visions of the future. Interpreting their dreams in much the same ways as their ancient and medieval forebears had done—and often using the dream-guides their predecessors had written—dreamers rejoiced in heralds of good fortune and consulted physicians, clerics, or practitioners of magic when their visions waxed ominous. Dreams, Dreamers, and Visions traces the role of dreams and related visionary experiences in the cultures within the Atlantic world from the late thirteenth to early seventeen...
Women Warriors in Early Modern Spain
Although scholars often depict early modern Spanish women as victims, history and fiction of the period are filled with examples of women who defended their God-given right to make their own decisions and to define their own identities. The essays in Women Warriors in Early Modern Spain examine many such examples, demonstrating how women battled the status quo, defended certain causes, challenged authority, and broke barriers. Such women did not necessarily engage in masculine pursuits, but often used cultural production and engaged in social subversion to exercise resistance in the home, in the convent, on stage, or at their writing desks. Distributed for the University of Delaware Press
I am Venus
The year is 1619, and Diego Velázquez is a rising star at an art academy in Seville run by his father-in-law. But even as his young wife builds him a family, the painter yearns for a larger canvas, and soon his ambition lands him at the court of King Philip IV, where he quickly gains prominence, just as Spain is plunged into military defeat and domestic chaos. But as he gains nobility and privilege, Velázquez encounters the sinful decadence that defines the regime. At the heart of this most conservative country, its ruling class breaks every rule that the masses must obey. As he finds himself torn between loyalty to family and the easy seductions of power, Velázquez decides to take on his riskiest painting yet, which could, in a stroke, land him in the claws of the Inquisition. A sweeping story of scandal and passion, and a vivid recreation of a corrupt kingdom on the brink of collapse, I Am Venus is a thrilling novel that brings to life the public and private worlds of Spain's greatest painter.
On Love and Virtue: Theological Essays
What does it mean to love? What are the traits of character that support love’s activity? How does the economy of grace—the mission of Christ and the action of the Holy Spirit—elevate and transform human love, virtue, and the desire for happiness? In On Love and Virtue: Theological Essays, the eminent Dominican theologian Michael Sherwin considers how the Catholic tradition has addressed these questions. Fr. Sherwin places this tradition in dialogue with contemporary questions. Taking St. Thomas Aquinas as his primary guide, Fr. Sherwin reads St. Thomas in light of his biblical and patristic sources (especially St. Augustine) and engages contemporary developments in philosophy in order to deepen our understanding of how grace both heals and elevates human nature. Along the way, Fr. Sherwin considers the vocation of the theologian and the biblical and patristic understanding of the Christian call to moral apprenticeship and friendship with God.
The Readers’ Advisory Guide to Historical Fiction
Whether set in ancient Egypt, Feudal Japan, the Victorian Age, or Civil War-era America, historical fiction places readers squarely at the center of fascinating times and places, making it one of the most popular genres in contemporary publishing. The definitive resource for librarians and other book professionals, this guideProvides an overview of historical fiction’s roots, highlighting foundational classics, and explores the genre in terms of its scope and styleCovers the latest and most popular authors and titlesDiscusses appeal characteristics and shows how librarians can use a reader's favorite qualities to make suggestionsIncludes lists of recommendations, with a compendium of print and web-based resourcesOffers marketing tips for getting the word out to readersEmphasizing an appreciation of historical fiction in its many forms and focusing on what fans enjoy, this guide provides a fresh take on a durable genre.
Protecting the Spanish Woman
An important contribution to the study of women writers. María de Zayas is unique in the seventeenth century as the only Spanish woman to write a collection of exemplary novels whose quality is often compared to Miguel de Cervantes’ masterful works. Her two main collections of short stories, Novelas amorosas y ejemplares and Desengaños amorosos, encompass a social critique based on literary fiction that exposes flaws in the idealized archetypes of masculine identity in early modern Spain. Zayas’s stories redefine women’s patriarchal disadvantage as a tool to expose the ways in which early modern Spanish women could be empowered to counteract men’s discursive and political authority...
Collateral Damage
From Homer to Tim O’Brien, war literature remains largely the domain of male writers, and traditional narratives imply that the burdens of war are carried by men. But women and children disproportionately suffer the consequences of conflict: famine, disease, sexual abuse, and emotional trauma caused by loss of loved ones, property, and means of subsistence. Collateral Damage tells the stories of those who struggle on the margins of armed conflict or who attempt to rebuild their lives after a war. Bringing together the writings of female authors from across the world, this collection animates the wartime experiences of women as military mothers, combatants, supporters, war resisters, and victims. Their stories stretch from Rwanda to El Salvador, Romania to Sri Lanka, Chile to Iraq. Spanning fiction, poetry, drama, essay, memoir, and reportage, the selections are contextualized by brief author commentaries. The first collection to embrace so wide a range of contemporary authors from such diverse backgrounds, Collateral Damage seeks to validate and shine a light on the experiences of women by revealing the consequences of war endured by millions whose voices are rarely heard.
