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Women in Hispanic Literature
The topics covered by this pioneering collection of essays range from peninsular Spanish to Latin American literature, from the eleventh to the twentieth centuries, and from the subject of women as portrayed in Hispanic literature to the literature of Hispanic women writers. Some pieces present polemical feminist arguments, other are more traditional. All the contributors use their subject to take new stands on old controversies, ask new questions, and reevaluate important aspects of Hispanic literature. While there is ample evidence in these essays of the dual archetype in Hispanic literature of women as icon and woman as fallen idol, the collection reaches beyond these stereotypes to more ...
The Subversive Tradition in Spanish Renaissance Writing
"The seven texts in this cross-section of fiction and nonfiction reveal a nation at the brink of modernity, embracing revolutionary ideas and reeling in their explosive impact. The opening chapters establish the theoretical framework for Perez-Romero's analysis, describing the intellectual and social environments of medieval Spain and tracing the developments in Spanish historical and literary scholarship that point to the existence of a new path of investigation."--Jacket.
Woman and Society in the Spanish Drama of the Golden Age
An identification and analysis of Spanish Golden-Age drama's preoccupation with the woman who will not accept marriage as her natural role.
Legitimizing the Queen
Legitimizing the Queen deals with a genre particular to the Middle Ages: the specula principum (mirror of prince). Its importance as an object of study may be understood in light of the political instability that wracked the Castilian fifteenth century. The many works written for and dedicated to Isabel I of Castile depict her kingdom as a shipwrecked boat, a wayward realm, and a land of bankrupt people. These works suggest the kingdom's need for redemption through the strong leadership of theCatholic monarchs. These largely propagandistic works were designed to garner power, and once maintained, further Isabel's agenda. This book frames the concept of sovereignty from the theoretical perspe...
The Troubadour Revival
First published in 1978, this book argues that the troubadour revival in late medieval Spain was a conservative reaction to social crisis by those who belonged, or were affiliated, to a powerful, expanding and belligerent aristocracy. The crisis was produced by a discrepancy between social theory and social reality which could never be resolved, because the theory was based on the belief in a divinely pre-ordained system of social stratification in which change was inconceivable. The study falls into four parts. The first part analyses the aristocratic theory of medieval society with special reference to Spain. The second part places the troubadour revival in its historical perspective. The ...
Tercera Parte de la Tragicomedia de Celestina
Carefully and judiciously edited by Mac E. Barrick, the Tercera Celestina is a rare piece of Spanish Renaissance prose fiction, a literary masterpiece, and a mine of linguistic and proverbial materials.
The Training of Isabella I of Castile as the Virgin Mary by Churchman Martin de Cordoba in 1468
Today most chess historians agree that the weak chess queen, named "dame" in France as from the XIV century, changed to a powerful chess queen in Spain in 1475. Around this year we also see a change of the weak bishop to a strong bishop, according to the chess poem Scachs d'amor. In order to strengthen our hypothesis of Isabella I of Castile (Isabel la Católica) we have written a book about the new bishop and a book about Scachs d'amor in English. Concentrating now on Virgin Mary in relationship with Isabella I of Castile we observe that the Augustinian monastic Martin de Córdoba wrote in 1468 the work El Jardin de las donzellas. It was directed to Princess Isabel I of Castile with the intention to contribute to her education as future Queen. Cordoba was the first writer who draws equivalencies between Isabella I of Castile and Virgin Mary, which became one of her standard portrayals. Shorty thereafter we see the appearance of a new powerful chess queen.
The Severed Word
In this wide-ranging study Marina Scordilis Brownlee investigates the importance of the letter--often a complex interplay of objectivity and subjectivity--in the establishment of novelistic discourse. She shows how Ovid's Heroides explore the discourse of epistolarity in a way that exerted a lasting effect on Italian, French, and Spanish works of the Middle Ages and Renaissance, especially on the fifteenth-century Spanish novela sentimental, or "sentimental romance." Presenting this proto-novelistic form as a highly original rewriting of Ovid, Brownlee demonstrates that its language model interrogates rather than affirms the linguistic referentiality implied by romance. Whereas the ambiguity...
In the Lands of the Christians
In the Lands of the Christians presents original translations from Arabic of four Christian and Muslim writers who visited Western Europe and America in the seventeenth century. These essays contain careful descriptions of the regions, societies, customs, and religions these intrepid travelers encountered in their journeys. Here you will find the complete travel narrative of the first Arab to visit South and Central America in 1688, the first English translation of the ambassadorial report by Mohammad bin Abd al-Wahab al-Ghassani who traveled through Spain in 1690, translations of letters by the Morrocan ambassador to France describing his relationship with his hosts and his impressions of the land, and Morisco author Ahmad bin Qasim's account of his voyage from Holland to France in 1610.
