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Chez Soi
  • Language: en
  • Pages: 318

Chez Soi

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The Oxford Handbook of Schopenhauer
  • Language: en
  • Pages: 634

The Oxford Handbook of Schopenhauer

Though known primarily as a herald of philosophical pessimism, the full range of Schopenhauer's contributions is displayed here in a collection of thirty-one essays on the forefront of Schopenhauer scholarship. The essays explore his central notions, including the will, empirical knowledge, and the sublime, and widens to the interplay of ethics and religion with Schopenhauer's philosophy. Authors confront difficult aspects of Schopenhauer's work and legacy - for example, the extent to which Schopenhauer adopted ideas from his predecessors compared to how much was original and visionary in his central claim that reality is a blind, senseless 'will,' the effectiveness of his philosophy in the field of scientific explanation and extrasensory phenomena, and the role of beauty and sublimity in his outlook.--

The World as Metaphor in Robert Musil's The Man Without Qualities
  • Language: en
  • Pages: 218

The World as Metaphor in Robert Musil's The Man Without Qualities

The first study to utilize the Klagenfurt Edition of Musil's Nachlass offers a close reading of textual variations, emphasizing Musil's commitment to the artist's role in re-creating the world. Robert Musil, known to be a scientific and philosophical thinker, was committed to aesthetics as a process of experimental creation of an ever-shifting reality. Musil wanted, above all, to be a creative writer, and obsessively engaged in almost endless deferral via variations and metaphoric possibilities in his novel project, The Man without Qualities. This lifelong process of writing is embodied in the unfinished novel by a recurring metaphor of self-generating de-centered circle worlds. The present ...

Aesthetics
  • Language: en
  • Pages: 248

Aesthetics

  • Type: Book
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  • Published: 2000
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  • Publisher: Unknown

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Celebrity Across the Channel, 1750–1850
  • Language: en
  • Pages: 402

Celebrity Across the Channel, 1750–1850

Celebrity Across the Channel, 1750-1850 is the first book to study and compare the concept of celebrity in France and Britain from 1750 to 1850 as the two countries transformed into the states we recognize today. It offers a transnational perspective by placing in dialogue the growing fields of celebrity studies in the two countries, especially by engaging with Antoine Lilti’s seminal work, The Invention of Celebrity, translated into English in 2017. With contributions from a diverse range of scholarly cultures, the volume has a firmly interdisciplinary scope over the time period 1750 to 1850, which was an era marked by social, political, and cultural upheaval. Bringing together the fields of history, politics, literature, theater studies, and musicology, the volume employs a firmly interdisciplinary scope to explore an era marked by social, political, and cultural upheaval. The organization of the collection allows for new readings of the similarities and differences in the understanding of celebrity in Britain and France. Consequently, the volume builds upon the questions that are currently at the heart of celebrity studies.

Kant and Eighteenth-Century German Philosophy
  • Language: en
  • Pages: 405

Kant and Eighteenth-Century German Philosophy

The purpose of this anthology is to bring together in one volume some of the texts published in the series "Werkprofile", which focus on Kant’s relationship to his philosophical contemporaries and predecessors, and to make them accessible to a wider audience in English. In doing so, the volume is aimed at those who have an interest in better understanding the premises of Kant's philosophy, its historical context, and the development of many of Kant’s fundamental ideas. As it is often hard to glean philosophical motivation directly from reading Kant’s texts, understanding Kant’s commitment to answering certain questions and his silence on others, requires a historical approach. This b...

Heinrich Von Kleist and Jean-Jacques Rousseau: Violence, Identity, Nation (Studies in German Literature, Linguistics, and Culture)
  • Language: en
  • Pages: 250

Heinrich Von Kleist and Jean-Jacques Rousseau: Violence, Identity, Nation (Studies in German Literature, Linguistics, and Culture)

By reconsidering Kleist's reception of Rousseau and placing it in historical context, this book sheds new light on a range of political and ethical issues at play in Kleist's work. Heinrich von Kleist is renowned as an author who posed a radical challenge to the orthodoxies of his age. Today, his works are frequently seen to relentlessly deconstruct the paradigms of Idealism and to reflect a Romantic, even postmodern, perspective on the ambiguities of the world. Such a view fails, however, to do full justice to the more complex manner in which Kleist articulates the tensions between the securities of Enlightenment thought and the anxieties of the revolutionary age. Steven Howe offers a new a...

Duncan Liddel (1561-1613)
  • Language: en
  • Pages: 334

Duncan Liddel (1561-1613)

  • Type: Book
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  • Published: 2016-04-18
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  • Publisher: BRILL

This collective volume in the history of early-modern science and medicine investigates the transfer of knowledge between Germany and Scotland focusing on the Scottish mathematician and physician Duncan Liddel of Aberdeen.

The Invention of Duty: Stoicism as Deontology
  • Language: en
  • Pages: 188

The Invention of Duty: Stoicism as Deontology

  • Type: Book
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  • Published: 2021-01-11
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  • Publisher: BRILL

Where did the notion of 'moral duty' come from? In The Invention of Duty: Stoicism as Deontology, Jack Visnjic argues that it was the Stoics who first developed a robust notion of duty as well as a deontological ethics.

Shakespeare and the Italian Renaissance
  • Language: en
  • Pages: 388

Shakespeare and the Italian Renaissance

  • Type: Book
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  • Published: 2016-04-01
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  • Publisher: Routledge

Shakespeare and the Italian Renaissance investigates the works of Shakespeare and his fellow dramatists from within the context of the European Renaissance and, more specifically, from within the context of Italian cultural, dramatic, and literary traditions, with reference to the impact and influence of classical, coeval, and contemporary culture. In contrast to previous studies, the critical perspectives pursued in this volume’s tripartite organization take into account a wider European intertextual dimension and, above all, an ideological interpretation of the 'aesthetics' or 'politics' of intertextuality. Contributors perceive the presence of the Italian world in early modern England not as a traditional treasure trove of influence and imitation, but as a potential cultural force, consonant with complex processes of appropriation, transformation, and ideological opposition through a continuous dialectical interchange of compliance and subversion.