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Leonard Maltin is America's best-known film historian, film reviewer, and author of books that have sold more than 7 million copies. He remains a thought leader on past and present Hollywood through his website www.leonardmaltin.com, and a social media presence that includes an active Facebook page and a Twitter feed with more than 66,000 followers. In Hooked on Hollywood, Maltin opens up his personal archive to take readers on a fascinating journey through film history. He first interviewed greats of Hollywood as a precocious teenager in 1960s New York City. He used what he learned from these luminaries to embark on a 50-year (and counting) career that has included New York Times bestsellin...
Inexperienced travelers and introverts Olivia Haines and Ron Whittaker decide to take their honeymoon in Mexico aboard the cruise ship the Pan Americana. They agree to change their behaviors while on vacation and become more social with no idea what this extroverted performance might cost them. They quickly befriend several of their odd shipmates. There's the loud mouth heiress who wants to run their lives and her nemesis, Alan Paxton, who likes to make her rich life miserable. There's a retired Episcopal priest and his wife. Finally, Mallory Holmes: a blind and deaf young man with a frigid wife. These odd new friendships flounder, however, when Alan ends up murdered, and Mallory claims he's the perpetrator. The passengers arrive together back in Los Angeles, where the murder case unfolds. Ron's cousin takes the case, despite Mallory's insistence of his own guilt. Olivia and Ron are starting to regret their decision to "meet people," but even they believe Mallory is innocent. They take it upon themselves to find the real killer, and no one will be more surprised by the truth than the newly married couple.
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The contemporary music scene thus embodies a uniquely broad spectrum of activity, which has grown and changed down to the present hour. With new talents emerging and different technologies developing as we move further into the 21st century, no one can predict what paths music will take next. All we can be certain of is that the inspiration and originality that make music live will continue to bring awe, delight, fascination, and beauty to the people who listen to it. This book cover modernist and postmodern concert music worldwide from the years 1888 to 2018. This second edition of Historical Dictionary of Modern and Contemporary Classical Music contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 500 cross-referenced entries on the most important composers, musicians, methods, styles, and media in modernist and postmodern classical music worldwide, from 1888 to 2018. This book is an excellent resource for students, researchers, and anyone wanting to know more about modern and contemporary classical music.
Geraldine Ewing is recruited and trained to operate as an undercover agent in wartime Italy. Captured by the Gestapo and tortured, her team leader has a personal reason to set up a complex operation to release her and get her out of the country, with the Germans doing the utmost to prevent her escape.
The musical, whether on stage or screen, is undoubtedly one of the most recognizable musical genres, yet one of the most perplexing. What are its defining features? How does it negotiate multiple socio-cultural-economic spaces? Is it a popular tradition? Is it a commercial enterprise? Is it a sophisticated cultural product and signifier? This research guide includes more than 1,400 annotated entries related to the genre as it appears on stage and screen. It includes reference works, monographs, articles, anthologies, and websites related to the musical. Separate sections are devoted to sub-genres (such as operetta and megamusical), non-English language musical genres in the U.S., traditions outside the U.S., individual shows, creators, performers, and performance. The second edition reflects the notable increase in musical theater scholarship since 2000. In addition to printed materials, it includes multimedia and electronic resources.
With an innovative historical framework, Carol J. Oja explores the emergence during World War II of Leonard Bernstein, Jerome Robbins, Betty Comden, and Adolph Green. At center stage are the mixed-race cast of "On the Town," which was their first Broadway show, the web of gay relationships surrounding the ballet Fancy Free, and a nightclub act called The Revuers.
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