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THE TEACHER begins with young BRIAN DESMOND teaching math at Newtown High School in Queens, New York despite a learning disability -- he cannot write legibly. He paid for his college education by fixing clocks, is fiercely independent, and aches for the respect of his sister and father, who treat him as dumb. A new principal comes to Newtown High with a wife, a lovely daughter and problems which threaten Brians teaching career. Martin Bernhard, a wealthy member of the Board of Education, tries to rescue Brians teaching job. In return he asks Brian to help him understand his dynamic daughter Julia, a concert violinist. Briefly barred from active hobbies, Brian accompanies a friend to a little theater audition which leads to involvement with actors, directors and agents in Queens, Westchester and Manhattan. As these various activities overlap, a crisis in Brians family clouds his perspective. He ignores local beauty Sheila Murray, and when she decides its time to look elsewhere Brian is forced to realign all of his priorities.
Irish literature's roots have been traced to the 7th-9th century. This is a rich and hardy literature starting with descriptions of the brave deeds of kings, saints and other heroes. These were followed by generous veins of religious, historical, genealogical, scientific and other works. The development of prose, poetry and drama raced along with the times. Modern, well-known Irish writers include: William Yeats, James Joyce, Sean Casey, George Bernard Shaw, Oscar Wilde, John Synge and Samuel Beckett.
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Northern Irish Poetry and Theology argues that theology shapes subjectivity, language and poetic form, and provides original studies of three internationally acclaimed poets: Seamus Heaney, Michael Longley and Derek Mahon.
Twentieth-century Irish fiction powerfully reflects the intensely political nature of the Irish experience for the last hundred years, and earlier. The essays in Troubled Histories, Troubled Fictions: Twentieth Century Anglo-Irish Prose focus upon the various ways in which the work of authors otherwise as diverse as James Joyce, James Stephens, Elizabeth Bowen, Molly Keane, Eimar O'Duffy, Jennifer Johnston, William Trevor, Julia O'Faolain, and a number of recent women writers, synchronizes with items that are, or were, high on the agenda of Irish politics. Discussion ranges from the political and ideological use to which Joyce puts etymology, sex, and early Irish history, the symbolical importance of the Big House, and the politics of sexuality in the immediate post-independence period, to representations of the recent Troubles.
Secret games in a new amusement park lead the young cyclists into an adventure of magic and a battle against evil.
Honorable Mention, 2019 Foreword INDIES Awards - Performing Arts & Music Honorable Mention, Graphis 2021 Design Annual Competition Popular music has long been a powerful force for social change. Protest songs have served as anthems regarding war, racism, sexism, ecological destruction, and so many other crucial issues. Music Is Power takes us on a guided tour through the past one hundred years of politically conscious music, from Pete Seeger and Woody Guthrie to Green Day and NWA. Covering a wide variety of genres, including reggae, country, metal, psychedelia, rap, punk, folk, and soul, Brad Schreiber demonstrates how musicians can take a variety of approaches— angry rallying cries, mo...
The book provides a lively discussion of the ways in which popular fiction appropriates the figure of the Provisional IRA activist and the political conflict within the north of Ireland. It looks at how authors' recreations, or transformations, of Irish republicanism might reveal self-referentional images that are, ultimately, a product of national identity and/or gender identity. An important focus of the book interrogates British fascination and fixation with the Provisional IRA and its 'terrors'. The many novels discussed in this study include Gerald Seymour Harry's Game; Campbell Armstrong Jig; Bernard MacLaverty Cal; Mary Costello Titanic Town; Jennifer Johnston Shadows on our Skin; Deidre Madden One by One through the Darkness.
"The first time Chris saw Elly, she appeared as a single sunflower standing tall on a lawn of short grass." By professional standards, Christopher Matthew Smith is a gifted, dynamic Madison Avenue adman, a feared but highly respected opponent in the game of advertising. In love, however, he has not fared as well. Twice divorced, Chris has soured on the idea of long-term relationships. Until he meets Elly Flowers, an attractive, unhappily married mother of two. After six months of friendly encounters, the budding love story of Chris and Elly is interrupted by a lengthy geographical separation. Elly grudgingly moves to Southern California with her family while Chris remains in New York. Fourte...