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Station Hill
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In No Time
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The Remembering
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The Assassination
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Awareness Inside Language
Awareness Inside Language is the most comprehensive discussion of poet-artist George Quasha's "axial poetics" as it plays out in his work of the past twenty years, called "preverbs," represented in four published volumes: Verbal Paradise, Things Done for Themselves, The Daimon of the Moment, and Glossodelia Attract. In the form of an interview conducted by poet Thomas Fink, it addresses how apparently difficult poetry teaches new ways of reading and thinking.
Prose for Dancing
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State/ Shaft Shaft / State
is a book of image + words, made in a calendar year in the mid-00s when Sam Truitt was a full-time business writer for a New York-based publisher of commercial real estate research, statistics and analysis. The business was just west of Fifth Avenue on the north side of Thirty-Seventh, and our writing group was located initially on the top floor. I composed the "state" strips on the roof, which had an excellent view of most of the Empire State Building. In the spring our group moved to the fourth floor, removing easy rooftop access. I continued to compose intermittently through the day, yet now standing on the fire escape at the back of the building. That area also served as an airshaft. state/shaft shaft/state's text is a direct transcription of words spoken into an Olympus W10 recorder, that allows you to take photos while voice recording an avi file. While their order here is somewhat arbitrary, the way the image + words are arranged in this series is not wholly. This book includes a QR link to a video of the original recordings.
Scorned Beauty Comes Up from Behind
SCORNED BEAUTY COMES UP FROM BEHIND: PREVERBS is one of seven preverb complexes comprising the unpublished book Exchanging Intentions, itself one of seven books of preverbs, of which the first to be published was VERBAL PARADISE (Zasterle: 2011). A preverb is like a proverb, a one-line capture of wisdom, but at the raw stage before wisdom. Such an open intentional act of language invites configurative reading as a singular event of variable meaning. An instance of axial poetics, it puts language on its own stepped-up recognizance. Robert Kelly writes, SCORNED BEAUTY is the most gripping series of poems I've read in a long time. Wise, funny, humble, arrogant, love-sick, swooning into uncountable clarities. It seems the full maturation of work, of presence.
