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Bartolus of Sassoferrato
The medieval jurist Bartolus of Sassoferrato (d. 1357) has long been accorded seminal importance by historians of political thought. This volume provides the first complete English translation of his three most celebrated tracts: On Guelfs and Ghibellines, On the Government of a City, and On the Tyrant, which constituted the first consolidated response by a medieval lawyer to the problem of tyranny in the city republics of central and northern Italy. Crucial sections of Bartolus' academic commentaries on Roman law are also translated in an appendix. George Garnett and Magnus Ryan make the writings of Bartolus accessible to an expanded audience, situating his political theory in its original context and explaining his arguments. Footnotes to the translation explain all Bartolus' references to normative sources, legal and otherwise, and a detailed glossary of legal terms and institutions is provided. This translation allows readers to understand how Bartolus mobilised the Roman and canon laws to address immediate political developments, and why he was the most famous and enduringly influential medieval lawyer.
Bartolus on the Conflict of Laws
Beale, Joseph Henry. Bartolus on the Conflict of Laws. Translated into English by Joseph Henry Beale. Cambridge: Harvard University Press, 1914. 86 pp. Reprinted 2003 by The Lawbook Exchange, Ltd. LCCN 2002038864. ISBN 1-58477-294-8. Cloth. $65. * Probably the first doctrine on the conflict of laws, this is a portion of Bartolus' commentary on Justinian's Code and its glosses, his Super Primam et Secundam Partem Codicis Commentaria. Copied often in manuscript, it appeared in print in 1471. It takes into account local customs and statutes, and contains what may be the first clear recognition of the principle that the lex loci governs the validity of a legal act. Bartolus also appreciated the ...
A History of Medieval Political Thought
First Published in 2005. The book covers four periods, each with a different focus. From 300 to 750 Canning examines Christian ideas of rulership. The often neglected centuries from 750 to 1050, the Carolingian period and its aftermath, are given special attention. From 1050 to 1290 the conflict between temporal and spiritual power and the revived legacy of antiquity comes to the fore. Finally in the period from 1290 to 1450, Canning focuses on the confrontation with political reality in ideas of church and state, and in juristic thought.
A Renaissance of Conflicts
The essays in this collection explore conflict and continuity across the spectrum of political, legal, and spiritual traditions from late medieval Umbria and Tuscany to sixteenth- and seventeenth-century Venice, Rome, and Castile. They point to a shared tradition of dispute and resolution in both ecclesiastical/spiritual and state/secular matters, whether of private conscience or public policy. Continuity of ideals, problems, and modes of resolution suggest that breaks in legal, political, or religious ideals and behavior were not as frequent or sharp as historians have argued. These continuities emerge from common methodological approaches grounded in close, careful reading of key texts and their polyvalent terms. Whether those were the terms of civil or canon law, spirituality, or astrology, each author has had to grapple with multiple possibilities, contexts, customs, and practices that reveal the shifts and continuities in their possible meanings. -- Amazon.com.
The Logic of Political Conflict in Medieval Cities
This volume traces the logic of urban political conflict in late medieval Europe's most heavily urbanized regions, Italy and the Southern Low Countries. The fourteenth and fifteenth centuries are often associated with the increasing consolidation of states, but at the same time they also saw high levels of political conflict and revolt in cities that themselves were a lasting heritage of this period. In often radically different ways, conflict constituted a crucial part of political life in the six cities studied for this book: Bologna, Florence, and Verona, as well as Liege, Lille, and Tournai. The Logic of Political Conflict in Medieval Cities argues that such conflicts, rather than subver...
Painting and Experience in Fifteenth Century Italy
An introduction to 15th century Italian painting and the social history behind it, arguing that the two are interlinked and that the conditions of the time helped fashion distinctive elements in the painter's style.
A Grammar of Signs
Bartolo da Sassoferrato (1314-57) is considered the preeminent jurist of the late Middle Ages, & his DE INSIGNIIS ET ARMIS is hailed as the foundational treatment of the heraldic arms & insignia central to the proper ranking of late medieval & early modern aristocracies. It quickly became an authoritative & influential source for all later works on heraldic questions & is still cited in contemporary manuals. The tract also includes a groundbreaking discussion of the use, ownership, & transfer of trademarks. Attacked by humanists as an example of barbaric Latinity, the tract was subjected to a notorious assault by Lorenzo Valla. The authors provide not only a reliable critical edition & first...
The Political Thought of Baldus de Ubaldis
A full-scale study of the political thought of the Italian jurist, Baldus de Ubaldis (1327-1400).
Medieval Sovereignty
Medieval Sovereignty examines the idea of sovereignty in the Middle Ages and asks if it can be considered a fundamental element of medieval constitutional order. Francesco Maiolo analyzes the writings of Marsilius of Padua (1275/80-1342/43) and Bartolous of Saxoferrato (1314-57) and assesses their relative contributions as early proponents of popular sovereignty. Both are credited with having provided the legal justification for medieval popular government. Maiolo's cogent reconsideration of this primacy is an important addition to current medieval studies.
Tabula Picta
To whom does a painted tablet—a tabula picta—belong? To the owner of the physical piece of wood on which an image is painted? Or to the person who made the painting on that piece of wood? By extension, one might ask, who is the owner of a text? Is it the person who has written the words, or the individual who possesses the piece of parchment or slab of stone on which those words are inscribed? In Tabula Picta Marta Madero turns to the extensive glosses and commentaries that medieval jurists dedicated to the above questions when articulating a notion of intellectual and artistic property radically different from our own. The most important goal for these legal thinkers, Madero argues, was...
